1,378 stories by "Aleks Sierz"
Twentysomething emotional confusion is fertile ground for drama. In this new play, Stefan Golaszewski - writer of the BBC Three sitcom Him & Her and star of BBC Four's Cowards - explores…
Rose Theatre, Kingston: Before his huge West End success with the musical Matilda, Dennis Kelly's most popular play was DNA, first performed at the National Theatre's Connections y…
Critics can also be historians. In my opinion, the great new wave of 1990s British theatre starts not with Sarah Kane's Blasted in 1995, nor with Mark Ravenhill's Shopping and Fucking a year…
Write what you know, the cliché goes, and in his new drama the playwright Chris Lee draws on his day job as a social worker to create a tense two-hander about a middle-class social worker a…
Some theatre openings will be legendary for all time. One such was the Parisian evening of 10 December 1896 when Alfred Jarry's character Père Ubu stepped onto the stage at the Théâtre …
Suddenly, it seems as if the brawling youngster that was once new writing for the British theatre has grown up. Now, all it wants to talk about is the family, about having babies, and about …
Till death do us part: love and death are, like the fingers of a couple holding hands, perfectly intertwined in this play by Abi Morgan, which has been touring the country since autumn and o…
Absent or abusive fathers are a staple of British drama. As such, they are both an explanation for ferocious male violence and a metaphor of a paternal state which, in an age of austerity, s…
At its best, theatre is enthralling, and this year's offerings were led by one brilliant musical and one amazing comedy. With the West End immune to the chills of the recession, its profits …
Loneliness is hard to put on stage. There is something about the feeling of unwanted urban solitude which is so repetitive and, let's face it, boring, that writing a play about it risks send…
Can you replace a wife with a doctrine? Under normal circumstances, the question would be absurd, but given that Joe Penhall's new play, which opened last night, is the latest of a crop that…
This play has a deliberately evocative title: not only does it suggest overabundance ("everything but the kitchen sink"), but also a whole genre of playwriting (Kitchen Sink Drama). At the s…
Ever since 9/11, political theatre has mobilised the techniques of verbatim drama, and the Tricycle Theatre in Kilburn, north London, has an impressive reputation for its tribunal plays, oft…
It's the God factor. Although, until very recently, most British playwrights - being a secular bunch - have shied away from tackling questions of religious belief in their work, their Americ…
Some plays are so weird they defy description. Well, almost. One of these must surely be the late James Saunders's deeply absurdist play, whose first outing in 1963 launched the career of th…
Family occasions can be fraught affairs, as playwrights from Harold Pinter to Alan Ayckbourn have convincingly proved, but the mother of all family meltdown dramas must be Thomas Vinterberg'…
Journalism is often used to create compelling true-life plays. This drama, written by award-winning actor Nichola McAuliffe, has both a journalistic writing style and a journalist " actually…
Is it nostalgic to constantly revisit the history of the royal family? In this new play by Nicholas Wright, which opened last night, we travel back in time to 1980 when the aged Wallis Simps…
Spooky coincidences make good drama. Mike Bartlett's epic follow-up to his highly successful 2010 play, Earthquakes in London, begins with a mind-bogglingly weird situation: every morning in…
At the newly renamed Harold Pinter Theatre (formerly the Comedy), the inaugural show is a special tribute to the Nobel-Prize-winning playwright, who died in 2008. The subject matter of Ariel…
"Why does anyone ever have kids?" By the time that a character in April De Angelis's new comedy utters this exasperated exclamation, there are many in the audience " whether parents or child…
John Osborne was the great founding father of contemporary new writing for the theatre. In 1956, his Look Back in Anger changed British drama for ever, and his subsequent work explored the s…
It's a strange fact that very few plays look at the subject of contemporary British royalty. The past yes, but today very seldom. A notable exception is 1990s playwright Sarah Kane's viscera…
A new play by Mike Leigh is always an event. So there was a palpable excitement in the air at the Cottesloe Theatre (the smallest and most intimate of the three National Theatre auditoria) w…
Arthur Miller is one of those geniuses whose plays are metaphor-rich even when their storytelling is slow. First staged in 1994, Broken Glass is surely his best late-period drama, and this r…
