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1,386 stories by "Aleks Sierz"

An Incident at the Border, Trafalgar Studios by Aleks Sierz

Since 2004, the Ambassador Group's Trafalgar Studios has done sterling work in staging West End transfers for some of London's most promising fringe talents. Kieran Lynn's An Incident at the…

SOURCE: The Arts Desk at 7:00pm on August 22, 2012

The Prophet, Gate Theatre by Aleks Sierz

The Arab Spring has arguably been the most important international event after the credit crunch, yet it seems to be of little interest to British playwrights. Parochial, obsessed with writi…

SOURCE: The Arts Desk at 7:01pm on June 25, 2012

The Last of the Haussmans, National Theatre by Aleks Sierz

When does an urgent new trend become a theatre cliché? Over the past couple of years, the idea of generational conflict between the have-it-all baby boomers and the have-nothing-but-debts y…

SOURCE: The Arts Desk at 7:01pm on June 19, 2012

Mary Shelley, Tricycle Theatre by Aleks Sierz

Mary Shelley and all her works have dogged the footsteps of contemporary theatre " in a way that's a bit reminiscent of her most famous creation. Last year, there was Frankenstein at the Nat…

SOURCE: The Arts Desk at 7:01pm on June 15, 2012

The Witness, Royal Court Theatre by Aleks Sierz

A powerful trend in contemporary theatre is the family play. But the families usually depicted tend to be of the standard two-point-five variety, while other more complex forms " families as…

SOURCE: The Arts Desk at 3:01am on June 12, 2012

Boys, Soho Theatre by Aleks Sierz

They say that men, at whatever age, never leave the playground. We are told that boys will be boys. But what is this kind of infantile masculinity really like, and is there anything new to s…

SOURCE: The Arts Desk at 7:01pm on May 31, 2012

Antigone, National Theatre by Aleks Sierz

Although some contemporary plays " notably Posh and 13 " have accurately taken the temperature of the times, what about the timeless classics? Does Sophocles's Antigone (dated about 441BC) h…

SOURCE: The Arts Desk at 7:01pm on May 30, 2012

Children's Children, Almeida Theatre by Aleks Sierz

Plays about media folk and creatives, such as Joe Penhall's Dumb Show and Stella Feehily's O Go My Man, are not uncommon in British theatre. They usually have recognisable middle-class setti…

SOURCE: The Arts Desk at 7:01pm on May 25, 2012

Posh, Duke of York's Theatre by Aleks Sierz

Duke of York's Theatre: When Posh originally opened at the Royal Court during the General Election of 2010, it felt like a metaphorical prediction of how a Tory government might run riot and…

SOURCE: The Stage Registration at 7:18am on May 24, 2012

Chariots of Fire, Hampstead Theatre by Aleks Sierz

As the Olympic Park rises out of the desolation of East London, British theatre is also being regenerated by the sports fest that looms increasingly large on the horizon. Although it has rec…

SOURCE: The Arts Desk at 7:01pm on May 22, 2012

Three Kingdoms, Lyric Hammersmith, London by Aleks Sierz

Lyric Hammersmith, London: Olivier award-winning playwright Simon Stephens's latest play is a co-production between the Lyric Hammersmith, where he is an artistic associate, and two Eur…

SOURCE: The Stage Registration at 6:45am on May 9, 2012

Three Kingdoms, Lyric Hammersmith by Aleks Sierz

Simon Stephens is not only one of our most talented playwrights, he's also the one most open to influences from German theatre. In 2007, he collaborated with director Sebastian Nübling on t…

SOURCE: The Arts Desk at 7:01pm on May 8, 2012

Love, Love, Love, Royal Court Theatre by Aleks Sierz

The best playwrights have an antenna-like ability to pick up, and respond to, the new conflicts and fault lines that appear in society. Over the past five or so years, the antagonism between…

SOURCE: The Arts Desk at 7:01pm on May 3, 2012

Written on the Heart, Duchess Theatre by Aleks Sierz

Unlike the National, the RSC has not had a good record of producing exciting new plays in the past 20 years or so. But one exception to this rule is the theatre's support for the work of Dav…

SOURCE: The Arts Desk at 7:01pm on April 23, 2012

Misterman, National Theatre by Aleks Sierz

Religious mania is bad for your love life. In Enda Walsh's revamped 1999 play " which has already been seen in Galway and New York, and opened in London last night " a 33-year-old man (playe…

SOURCE: The Arts Desk at 7:01pm on April 18, 2012

Big and Small, Barbican Theatre by Aleks Sierz

It's the star factor. Tickets for Big and Small, by the controversial German writer Botho Strauss, are selling fast because Cate Blanchett is in it. Her protean presence in this production b…

SOURCE: The Arts Desk at 7:10pm on April 14, 2012

Chalet Lines, Bush Theatre, London by Aleks Sierz

Bush Theatre, London: Madani Younis's inaugural production at this venue is Lee Mattinson's Chalet Lines, a co-production with Newcastle's Live Theatre. As its title suggests,…

SOURCE: The Stage Registration at 7:16am on April 13, 2012

Chalet Lines, Bush Theatre by Aleks Sierz

When Madani Younis became the new artistic director of the Bush, some questioned his commitment to new writing, while others asked what he would bring to this small but high-profile venue. W…

SOURCE: The Arts Desk at 7:01pm on April 12, 2012

Vera Vera Vera, Jerwood Theatre Upstairs, Royal Court, London by Aleks Sierz

Jerwood Theatre Upstairs, Royal Court, London: This year's Royal Court Young Writers Festival continues with the second full production of a new play which, like its successful predeces…

SOURCE: The Stage Registration at 5:54am on March 27, 2012

Vera Vera Vera, Royal Court Theatre by Aleks Sierz

There is nothing quite so exciting as witnessing the debut of a fresh new voice. But young writers can be rather frail creatures, and their exposure in the high-profile Royal Court Young Wri…

SOURCE: The Arts Desk at 7:31pm on March 26, 2012

The Girl in the Yellow Dress, Theatre 503 by Aleks Sierz

Ethnic tensions in France have been in the news this week, with the siege of the gunman Mohammed Merah, so award-winning South-African penman Craig Higginson's new play seems really timely. …

SOURCE: The Arts Desk at 8:01pm on March 23, 2012

Play House and Definitely the Bahamas, Orange Tree Theatre by Aleks Sierz

Orange Tree Theatre: Playwright Martin Crimp returns to the Orange Tree Theatre with his new short play, Play House, in a double bill with a revival of his 1987 piece, Definitely the Bahamas…

SOURCE: The Stage Registration at 6:03am on March 19, 2012

Moon on a Rainbow Shawl, National Theatre by Aleks Sierz

Like many a regular theatregoer, I have a little list of classic plays that I've never seen, or even read. One of these is, or rather was, Errol John's evocatively titled Moon on a Rainbow S…

SOURCE: The Arts Desk at 8:01pm on March 14, 2012

Shivered, Southwark Playhouse by Aleks Sierz

Southwark Playhouse: The Southwark Playhouse has been a firm supporter of polymath Philip Ridley's work in recent years, and he returns to this venue with his latest, amazing, new play,…

SOURCE: The Stage Registration at 6:59am on March 14, 2012

Shivered, Southwark Playhouse by Aleks Sierz

Polymath Philip Ridley is British theatre's prince of imaginative writing. At the moment, he's clearly on a roll, and this year his diary has been filing up fast. First, there was a majestic…

SOURCE: The Arts Desk at 8:03pm on March 13, 2012
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