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1,386 stories by "Aleks Sierz"

Bracken Moor, Tricycle Theatre, London by Aleks Sierz

Tricycle Theatre, London: Director Polly Teale and Shared Experience return to the Tricycle with a beautifully crafted new play by award-winning playwright Alexi Kaye Campbell, who wrote his…

SOURCE: The Stage Registration at 6:25am on June 17, 2013

Mission Drift, National Theatre by Aleks Sierz

One of the promises of artistic director Nicholas Hytner when he took the helm of this flagship ten years ago was to stage new and innovative musicals. His problem, of course, is that these …

SOURCE: The Arts Desk at 7:05pm on June 10, 2013

Even Stillness Breathes Softly Against a Brick Wall, Soho Theatre by Aleks Sierz

I love poetic play titles, but even I would admit that sometimes they are difficult to remember. In this case, the name of Brad Birch's new play has taught me a lesson that I'm happy to pass…

SOURCE: The Arts Desk at 7:01pm on June 3, 2013

Disgraced, Bush Theatre, London by Aleks Sierz

Bush Theatre, London: After a career as an actor and scriptwriter, New Yorker Ayad Akhtar turned to playwriting and his debut, which premiered in Chicago in 2012, was a huge success. It tran…

SOURCE: The Stage Registration at 6:21am on May 23, 2013

Disgraced, Bush Theatre by Aleks Sierz

There's one big problem about being an Asian actor in America " you just don't get the big parts. So the multitalented Ayad Akhtar put acting on hold, and turned to screen writing, producing…

SOURCE: The Arts Desk at 7:01pm on May 22, 2013

Gutted, Theatre Royal Stratford East by Aleks Sierz

Rikki Beadle-Blair is a high-energy polymath. He's a real phenomenon. Raised by his lesbian mum in sarf London, he wrote his first play at the age of seven and was, he claims, already direct…

SOURCE: The Arts Desk at 6:30pm on May 2, 2013

Fräulein Julie, Barbican Theatre by Aleks Sierz

Most theatre directors produce work which is visually the same as everyone else's. Katie Mitchell doesn't. Her plays are always brilliantly acted, highly atmospheric and often use film media…

SOURCE: The Arts Desk at 6:00pm on April 30, 2013

Doktor Glas, Wyndham's Theatre by Aleks Sierz

Scandi thrillers have a lot to answer for. Ever since the small-screen success of the Swedish Wallander series, based on the books by Henning Mankell, there has been a host of other must-see…

SOURCE: The Arts Desk at 7:01pm on April 18, 2013

Beautiful Thing, Arts Theatre by Aleks Sierz

Some plays are game-changers. When Jonathan Harvey's Beautiful Thing opened at the tiny Bush Theatre in 1993 the joy that radiated off the stage was ample affirmation that this tale of puppy…

SOURCE: The Arts Desk at 7:01pm on April 17, 2013

Table, The Shed, National Theatre, London by Aleks Sierz

The Shed, National Theatre, London: The National Theatre's new space, The Shed, a square construction painted bright red, is located just outside its main entrance in Theatre Square. A …

SOURCE: The Stage Registration at 6:43am on April 15, 2013

Table, National Theatre by Aleks Sierz

The family can be a knot of hatred as well as a cradle of love. Rather late in this new play by Tanya Ronder comes a scene in which a separated husband and wife try to untangle this knot, an…

SOURCE: The Arts Desk at 7:01pm on April 12, 2013

Narrative, Jerwood Theatre Upstairs, Royal Court, London by Aleks Sierz

Jerwood Theatre Upstairs, Royal Court, London: As it was in the beginning, so shall it be at the end: Anthony Neilson's masterpiece, The Wonderful World of Dissocia, was part of artisti…

SOURCE: The Stage Registration at 6:29am on April 11, 2013

Narrative, Royal Court Theatre by Aleks Sierz

Anthony Neilson is the wild man of new writing. However, this reputation, which has been provoked by shock-fests such as Penetrator (1993) and Stitching (2002), belies the fact that some of …

SOURCE: The Arts Desk at 7:01pm on April 10, 2013

The Thrill of Love, St James Theatre by Aleks Sierz

Ruth Ellis, the last woman to be hanged in Britain, is a cultural icon, the image of the peroxide blonde who spells big trouble. An influence on Diana Dors in the 1956 film Yield to the Nigh…

SOURCE: The Arts Desk at 7:01pm on April 3, 2013

The Low Road, Jerwood Theatre Downstairs, Royal Court, London by Aleks Sierz

Jerwood Theatre Downstairs, Royal Court, London: This is the last production that Dominic Cooke is directing at this venue before he steps down as artistic director next month. It is an apt …

SOURCE: The Stage Registration at 6:46am on March 28, 2013

The Low Road, Royal Court Theatre by Aleks Sierz

"My honest instinct," says Jim, the hero of Bruce Norris's The Low Road, "is one of resentment." And while this contemporary fable of industrious bees, aka capitalist speculators, is set in …

SOURCE: The Arts Desk at 8:01pm on March 27, 2013

Three Birds, Bush Theatre by Aleks Sierz

The best horror stories take place in mundane surroundings. The envelope of the ordinary gives a context of credibility to the practically incredible. In Janice Okoh's new play, which won th…

SOURCE: The Arts Desk at 8:01pm on March 21, 2013

theartsdesk in Malta: time for a change? by Aleks Sierz

Legendary English playwright Edward Bond doesn't often come to Malta, but when he does, he doesn't suffer fools gladly. After the first performance of his Olly's Prison " a stage version of …

SOURCE: The Arts Desk at 5:00am on March 17, 2013

If You Don't Let Us Dream, We Won't Let You Sleep, Royal Court, Jerwood Theatre Downstairs, London by Aleks Sierz

Royal Court, Jerwood Theatre Downstairs, London: The most common complaint about plays that criticise the austerity measures that have followed the global financial meltdown is that they don…

SOURCE: The Stage Registration at 6:49am on February 21, 2013

If You Don't Let Us Dream, We Won't Let You Sleep, Royal Court Theatre by Aleks Sierz

Is this the most poetic title in London theatre today? Anders Lustgarten's new play joins a ragged march of work, from David Hare's The Power of Yes (2009) to Clare Duffy's Money: The Gamesh…

SOURCE: The Arts Desk at 7:01pm on February 20, 2013

Our Country's Good, St James Theatre by Aleks Sierz

Plays about plays are often touched by theatrical magic. This is certainly the case with Timberlake Wertenbaker's masterpiece, first staged in 1988, and now revived by the same director, Max…

SOURCE: The Arts Desk at 7:01pm on February 4, 2013

Interviews: A class act to follow by Aleks Sierz

Eclipse Theatre Company's artistic director Dawn Walton talks to Aleks Sierz about her latest project, a revival of Don Evans' 1970s comedy analysis of racial and gender stereotypes, One Mon…

SOURCE: The Stage Registration at 2:00am on February 3, 2013

Port, Lyttelton, National Theatre by Aleks Sierz

Lyttelton, National Theatre: Today, when long-term playwright-director partnerships are rare, it is a cause for celebration when a writer and a director work together over several years. Pla…

SOURCE: The Stage Registration at 4:50am on January 29, 2013

Port, National Theatre by Aleks Sierz

Over the past decade or so, Simon Stephens has emerged as one of Britain's premier playwrights. As well as being a prolific penman, with three volumes of collected plays already in print, he…

SOURCE: The Arts Desk at 7:03pm on January 28, 2013

Gruesome Playground Injuries, Gate Theatre, London by Aleks Sierz

Gate Theatre, London: This is the first time the work of US playwright Rajiv Joseph, a Pulitzer Prize nominee, has been seen in the UK. Directed by Justin Audibert, who is this year's r…

SOURCE: The Stage Registration at 5:11am on January 25, 2013
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