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139 stories by "Alan Katz"

We Know How You Die, UCB at Woolly (review) by Alan Katz

I can tell you almost nothing about the content you would see if you went to We Know How You Die at Woolly Mammoth, anymore than I could tell you how you're going to die. I could say that wh…

SOURCE: DC Theatre Scene at 12:36pm on July 18, 2016[SHARE]

Song Reader: The Musical (review) by Alan Katz

Where can you experience the world premiere of a musical with songs by a 4-time platinum artist for only $17 a pop? At Capital Fringe, of course, with Song Reader: the Musical, an earnest an…

SOURCE: DC Theatre Scene at 3:37pm on July 12, 2016[SHARE]

POE, TIMES TWO by Alan Katz

Fear is one of the hardest feelings to convey in the emotional panoply of the theater, but POE, TIMES TWO, a solo retelling of two Edgar Allan Poe short stories, grabs the audience by the…

SOURCE: DC Theatre Scene at 7:11pm on July 11, 2016[SHARE]

Is Chicago's abuse scandal happening here? by Alan Katz

Allegations of physical and abuse of physical abuse and sexual harassment raised by the Chicago Reader against Darrell Cox, Artistic Director of Profiles Theatre, and accusations of bizar…

SOURCE: DC Theatre Scene at 2:38pm on June 23, 2016[SHARE]

The Good Devil (in Spite of Himself), commedia from Avant Bard (review) by Alan Katz

Commedia dell'Arte, the old Italian comedic that forms the foundation for new American comedy The Good Devil (in Spite of Himself), is very much like the Looney Toons of old. Not only is it …

SOURCE: DC Theatre Scene at 2:38pm on June 23, 2016[SHARE]

Matt and Ben, the perfect Fringe warmup from Flying V (review) by Alan Katz

With plenty of pop culture candy, quirky magical realism, and a heaping helping of side-splitting silliness, Flying V's newest show, Matt and Ben, has formulated a raucous recipe for a prepa…

SOURCE: DC Theatre Scene at 10:57am on June 14, 2016[SHARE]

Floyd Collins (review) at 1st Stage by Alan Katz

There are a trio of beautiful moments in Floyd Collins threading through 1st Stage Tysons' newest musical offering. In the first of these moments, Harrison Smith (who plays a small cameo rol…

SOURCE: DC Theatre Scene at 9:39am on June 9, 2016[SHARE]

The Merry Death of Robin Hood (review) played at DC Reynolds bar by Alan Katz

Some of the oldest stories still extant of the adventures of legendary outlaw Robin Hood are songs about his untimely demise, a metaphor-rich ballad about honor and being laid back in Englis…

SOURCE: DC Theatre Scene at 2:36pm on May 25, 2016[SHARE]

Man in the Iron Mask (review): Synetic Theater speaks by Alan Katz

All over the promotional material for Synetic's Man in the Iron Mask, there is a dire warning: THIS PRODUCTION WILL HAVE DIALOGUE. As if audiences have to be warned of talking actors as much…

SOURCE: DC Theatre Scene at 7:11pm on May 18, 2016[SHARE]

Transmission from The Welders (review) by Alan Katz

Transmission, the newest and final offering from this iteration of the playwriting collective The Welders, tests my inherent resistance to superlatives. But the problem with resisting the "m…

SOURCE: DC Theatre Scene at 10:51am on May 6, 2016[SHARE]

The Mystery of Love and Sex at Signature Theatre (review) by Alan Katz

Most people have that friend. You know, that friend.The one you're so close to that it makes other people uncomfortable or makes them question your sexuality or makes them say "I wish they'd…

SOURCE: DC Theatre Scene at 6:17pm on April 24, 2016[SHARE]

Looking for Roberto Clemente at Imagination Stage (review) by Alan Katz

Looking for Roberto Clemente, a remounted musical from Imagination Stage, mixes pushed nostalgia and classic sports formulae to bridge generations and make an adorable musical. The story …

SOURCE: DC Theatre Scene at 9:43am on April 19, 2016[SHARE]

ATCA critics award Qui Nguyen $25,000 Steinberg prize at Humana Festival by Alan Katz

A hip bash held Saturday night at the storied Humana Festival of New American Plays in Louisville, Kentucky celebrated the newly announced winner of the 2016 Harold and Mimi Steinbe…

SOURCE: DC Theatre Scene at 9:10am on April 11, 2016[SHARE]

Trump buys naming rights to The Kennedy Center by Alan Katz

In the wake of recent news of the renaming of George Mason University’s Law School after controversial conservative political figure Antonin Scalia, DC Theatre Scene has confirmed a ne…

SOURCE: DC Theatre Scene at 1:27pm on April 1, 2016[SHARE]

Annalisa Dias on How Theater Can Change the World by Alan Katz

I have yet to come across a theater artist who dreams bigger than Annalisa Dias. She has facilitated and studied theater on several continents. She has produced, directed, dramaturged, de…

SOURCE: DC Theatre Scene at 1:09pm on April 1, 2016[SHARE]

Political stinger 'After the War' at Mosaic (review) by Alan Katz

The last time Playwright Motti Lerner, Director Sinai Peter, and Producing Artistic Director Ari Roth got together for a production, they created the controversial play The Admission, which …

SOURCE: DC Theatre Scene at 1:03pm on March 31, 2016[SHARE]

Paige Hathaway on The Pillowman's freaky, strange set by Alan Katz

The Pillowman from Martin McDonagh has been a hot play for more than a decade, catapulting its author to major film writing gigs and international stardom. A local version from Forum Theatre…

SOURCE: DC Theatre Scene at 12:37pm on March 23, 2016[SHARE]

1984, presented by Shakespeare Theatre Company (review) by Alan Katz

1984, Shakespeare Theatre Company's newest visiting international production, combines cutting-edge technology with a very old technique for making political plays for this new adaptation of…

SOURCE: DC Theatre Scene at 11:25am on March 16, 2016[SHARE]

Game-changing new theater app, developed by a black woman, gets ready to launch by Alan Katz

As a critic, I'm sometimes in the business of prediction: who is going to win what award, what production is going to sell well, what company is going to have the best season coming up. And …

SOURCE: DC Theatre Scene at 4:24pm on March 1, 2016[SHARE]

Sondheim's Road Show at Signature Theatre (review) by Alan Katz

There are some historical characters that cry out for animation on the stage. Stephen Sondheim has fixated on a pair of them in his meandering travelogue Road Show, a historical biographical…

SOURCE: DC Theatre Scene at 12:36pm on February 25, 2016[SHARE]

When the Rain Stops Falling at 1st Stage (review) by Alan Katz

When the Rain Stops Falling, the startlingly complex multi-generational family drama now getting its regional premiere at 1st Stage Tysons, shows the inextricable ties between even estranged…

SOURCE: DC Theatre Scene at 12:24pm on February 10, 2016[SHARE]

Rajiv Joseph's Guards at the Taj: buddy comedy? The Guards speak by Alan Katz

Plays about extreme Beauty always seem to contain extreme ugliness. Woolly Mammoth's newest offering, the off-Broadway smash and award-winning straight play Guards at the Taj, is no exceptio…

SOURCE: DC Theatre Scene at 11:57am on February 5, 2016[SHARE]

Nu Sass' Very Fun Haunted Drunken Lesbian Stone Tape Party: Remix (review) by Alan Katz

Can you think of anything as emotionally dramatic or hilariously rambunctious as a party at a haunted drunken lesbian coke house? Me neither. Fortunately, you've got an invitation to the …

SOURCE: DC Theatre Scene at 7:03pm on February 3, 2016[SHARE]

Ready to laugh? 8 dog gifs perfectly sum up last night's Helen Hayes Award nominations by Alan Katz

1.  This Chihuahua Who Found Out That There Was No Live Stream of the Nomination Announcements, But Then Remembered That Twitter is a Thing. Notice that she is still real disappointed. I'…

SOURCE: DC Theatre Scene at 5:28pm on February 2, 2016[SHARE]

Lynn Nottage's Sweat at Arena Stage (review) by Alan Katz

There's a certain irony in watching Sweat, a play about the annihilation of the American working class, in corporate-sponsored palatial theater charging $80+ a pop for full-price seats, not …

SOURCE: DC Theatre Scene at 5:56pm on January 31, 2016[SHARE]
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