By Ricky Young-Howze. In this installment, Ricky Young-Howze discusses his experience marketing his play Last Hope for Twenty Miles, and what he learned for future reference.
By Damon Krometis. In this installment, Damon Krometis shares his experience with garnering audience collaboration and gives tips on how to best include audience members in a performance.
By Nora J. Williams. Renaissance scholar Nora J. Williams discusses the #Shakespeare400 celebrations, and the myth that Shakespeare is the "greatest playwright" in the English language.
By Brianna Smith. Artistic Director Brianna Smith discusses gender fluidity and advocates the need for creating more opportunities transgender, gender-queer, androgynous, and other non-binar…
By HowlRound TV. Literary Managers and Dramaturgs of the Americas presents the 31st Annual Conference in Portland, Oregon livestreaming on the global, commons-based peer produced HowlRound T…
By Lauren Smith. Lauren Smith discusses Westgate Music, a local music store in Missouri, and offers tips for how theatres can engage with their audiences.
By Carlos Morton. Carlos Morton questions whether Hamilton should be considered a piece of Latina/o theatre.
By Lashad Beck. Actor Lashad Beck shares his tips for dealing with cultural microaggressions during a production.
By Susan J. Terrio. Susan J. Terrio reflects on Marissa Chibas Preston's new play, Shelter , about journey of unaccompanied minors from Mexico to the US, directed by Martin Acosta.
By Paul Adolphsen, Penny Youngelson, Philip Rademeyer. In this first installment, Paul Adolphsen interviews Philip Rademeyer and Penelope Youngelson, the co-founding members of South Africa'…
By Eric S. Kildow. Eric Kildow looks at the 2015 open letter by Doug Wright, President of the Dramatists Guild, in the wake of casting conflicts and at the cease and desist letters sent to t…
By verity healey. verity healey discusses Charlene James' new play Cuttin' It at the Young Vic in London, England.
By Regina Buccola. Regina Buccola discusses Ed Proudfoot's Chewing on Beckett, a contemporary reimagining of Samuel Beckett's Waiting for Godot with an all-female cast.
By Judith Jerome. Judith Jerome discusses the recent Broadway production of Blackbird by David Harrower.
By HowlRound TV. The Network of Ensemble Theaters (NET) , in association with ArtWorks, the National Endowment for the Arts, Columbia College of Chicago, and the League of Chicago Theatres, …
By Jeanmarie Higgins. Jeanmarie Higgins, Professor of Dramaturgy at UNC Charlotte, presents strategies for decentralizing and distributing the dramaturg's role among groups of students and f…
By Jelisa Jay Robinson, Krysta Gonzales. In this second installment, Jelisa Jay Robinson interviews Krysta Gonzales about her journey and process as a playwright and actress.
By Elaine Ãvila. Elaine Ãvila writes about her experience at the Latina/o Theatre Commons convening in Seattle, WA.
By Izzi D'Esposito, Matt Pelfrey. Izzi D'Esposito talks with Matt Pelfrey, head of the low-residency MFA program at Point Park University.
By Nelson Gray. Nelson Gray discusses the inspiration for his opera Here Oceans Roar and advocates more art centered on climate change.
By Una Chaudhuri. Eco-theatre scholar and pioneer Una Chaudhuri considers how theatre is inventing new strategies for performance offered or necessitated by climate change.
By Damon Krometis. In this installment, Damon Krometis discusses the Boston premiere of An Octoroon by Branden Jacob-Jenkins, and the ways this production positioned the audience as both spe…
By Ricky Young-Howze. In this second installment, Ricky Young-Howze shares a lesson he learned while wearing multiple hats in his theatre company.
By Will Arbery. Playwright Will Arbery shares his experience working with BOOMERANG Dance Company and how movement informs his writing process.
By M.L. Hart. Costume Designer M.L. Hart parallels the principles and concepts of costume and makeup design to body modification.
