By Todd London. Todd London writes about playwright and performer Taylor Mac, and looks forward to A 24-Decade History of Popular Music.
By Cheryl Davis. Playwright and attorney Cheryl Davis delves into the legal specifics of Creative Commons and fair use, explaining how artists can use them to fit their needs.
By Larissa FastHorse. Kicking off #IdentityWeek, Playwright Larissa FastHorse discusses workshopping her play What Would Crazy Horse Do? at Santa Clara University, and advocates the playwrig…
By Priscilla Page. Priscilla Page on Ricardo Gamboa and Sean James William Parris' Space Age at Free Street Theater in Chicago, Illinois.
By Michael Lueger. Michael Lueger and Barbara Fuchs discuss the plays written during Spain's theatrical Golden Age, and Barbara's Diversifying the Classic project, which aims to bring them b…
By Tammy Ryan. The trajectory of playwright Tammy Ryan's play Lost Boy in Whole Foods about Sudanese refugees in America and how a play about refugees plays today.
By Kyna Hamill, Brianna Randolph. Kyna Hamill and Brianna Randolph discuss crafting Letters to Medford, a theatre performance by Two Roads Performance Projects.
By Stephanie Kerley Schwartz. Scenic Designer Stephanie Kerley Schwartz shares her process for designing Henry Murray's Treefall, which inspired her to work on HeatWave, a project connecting…
By Neal Reynolds. Neal Reynolds writes on the power of This Beautiful City , performed by high school students at American Theater Company.
By Julia Levine. Director Julia Levine discusses how she approaches her process, and examines the relationship between food and theatre.
By Blair Baker, Zac Kline, Caridad Svich. Blair Baker, Zac Kline, and Caridad Svich discuss how they decided to take action and mobilize artists to create theatre pieces after the Pulse Nigh…
By Elspeth Tilley. As part of the Theatre in the Age of Climate Change, playwright and educator Elspeth Tilley discusses the benefits of bringing collaborative creative activism into the cla…
By David Dudley. David Dudley on Lucy Prebble's The Effect , directed by David Cromer at the Barrow Street Theatre in New York City.
By Michael Lueger. Eric Swanson and Michael Lueger discuss actor Edwin Booth, the brother of Abraham Lincoln's assassin.
By Daniel Fine. In this installment, Daniel Fine discusses working with lighting designers, explaining how color temperature and palette, and brightness of projections impact the media desig…
By Tracey Houston, Rob Langford, Helena Levitt. Tracey Houston and Rob Langford, founders of Montréal company Waterworks, describe their experience working on the play Aftermath by Andrea D…
By Caitlin Crombleholme. Caitlin Crombleholme discusses diversity at the 2016 Tony Awards, taking a look at Broadway's 2016-17 Season and reflecting on August Wilson's "The Ground on Which I…
By José Carrasquillo. Director José Carrasquillo shares his first encounter with Octavio Solis' El Paso Blue and his journey to directing the piece.
By Ricky Young-Howze. In this installment, Ricky Young-Howze discusses the complex nature of producing and shares what he learned about the art of delegation.
By Gregory Ramos, Andréa Burns. Gregory Ramos interviews On Your Feet actor Andréa Burns about her career playing Latina women in Broadway musicals.
By Jelisa Jay Robinson. In this installment, Jelisa Jay Robinson profiles Gustavo Melo Cerqueira, a Brazilian arts activist based in Austin, Texas.
By Donald Sanborn III, Brad Ross. In this installment, Donald Sanborn III interviews composer Brad Ross about his creative work and process.
By Mya Kagan. Mya Kagan examines how taking on the persona of Max has impacted the way she communicates.
By Anđela Vidović. Anđela Vidović on the reception of Bella Figura by French Playwright Yasmina Reza in Zagreb, Croatia.
By Madeline Sayet. Madeline Sayet, a 2016 TED Fellow, shares insights from other TED Fellows with applications for theatre practice.
