By Madeline Sayet. Madeline Sayet reflects on her ancestor Sachem Mahomet Weyonomon, and advocates supporting Native stories and theatremakers.
By Cheryl Davis. Cheryl Davis defines sexual harassment and hostile working environments, offering tips to both artists and administrators.
By HowlRound TV. ArtsEmerson in Boston and Chinese Historical Society of New England (CHSNE) present Facing Exclusion: Pioneering Activists Harry H. Dow and Tien Fu Wu, a theatrical presenta…
By Daniel Coelho. Daniel Coelho discusses Druid Theatre Company's revival of The Beauty Queen of Leenane, making parallels to the women of Grey Gardens and Tennessee Williams' character Blan…
By Michael Lueger. Michael Lueger talks with Dr. Steven (Siyuan) Liu about modern and contemporary Chinese theatre and performance.
By Carlos Murillo, Tom Arvetis. Adventure Stage Artistic Director Tom Arvetis and Playwright in Residency Carlos Murillo discuss how Carlos' perspective has affected the company's goals and …
By Roman Baca. Artistic Director Roman Baca discusses Aggressed and This is War, two dance theatre pieces by Exit12 Dance Company inspired by indigenous war dances.
By Jonathan Wei. Executive Director Jonathan Wei meditates on war and the military, advocating art as an investigative tool for understanding and transformation.
By Judith Smith. Director Judith Smith discusses her company's collaboration with Choreographer Joe Goode for to go again, a dance theatre piece that explores the lives of veterans with disa…
By Cherry Lou Sy. Cherry Lou Sy shares her experience seeing the Neo-Futurists' The Great American Drama , which examines perceptions of the American dream and success in theatre.
By Liz Lerman. Renowned choreographer and creator of the Critical Response Method, Liz Lerman, addresses the experience of war in her life and work.
By Jenny Lyn Bader. Jenny Lyn Bader looks at theatre's gender parity movement.
By James Ogden. Professor James Ogden explores what it means to put a chair on stage, considering how design informs character choices.
By Matthew Clinton Sekellick. Matthew Clinton Sekellick discusses the work of David Mamet and Neil LaBute, challenging the theatre community to be more inclusive and to not produce work that…
By Elaine Ãvila. Elaine Ãvila's address to the LEAP Playwriting Program at Vancouver's Arts Club Theatre on November 14, 2016.
By Josh Hecht. Artistic Director Josh Hecht reports on the first year of Profile Theatre's Diversity and Inclusion Initiative, and shares insight from the process.
By Jena Tesse Fox. Jena Tesse Fox talks to Jennifer Ashley Tepper, theatre historian, author of the three-volume series The Untold Stories of Broadway , about her role as Director of Program…
By HowlRound TV. #BreakingTheBinary is a free and public symposium focusing on accessibility for trans* people working in the arts presented by the American Repertory Theater at the Oberon. …
By Cherry Lou Sy. Cherry Lou Sy reflects on Lukumi Arts' immersive production of La Sirene: Rutas de Azucar ( The Siren: Sugar Routes ), which explores the black history of Cuba through Jos�…
By Max Cerci. Max Cerci discusses watching Gemma Cooper-Novak's Through the Glory Hole and What We Found There as a summer intern for The Theater Offensive, reflecting on his theatre backgro…
By Tatiana Gil. Tatiana Gil reflects on her experience interning for The Theater Offensive in Boston, Massachusetss last summer, sharing her vision of organizing creative spaces for queer yo…
By Tiffany Antone. Playwright Tiffany Antone discusses Little Black Dress INK's "We're Not Playing" initiative, advocating the need for theatrical protest for social change.
By Michael Lueger, Charlotte M. Canning. Michael Lueger interviews Dr. Charlotte Canning on her new book and US theatre artists in the mid-twentieth century who shared their work abroad.
By Naomi Elster. Naomi Elster discusses gender imbalances in theatre programming in the UK and Ireland.
By Chisa Hutchinson, Wesley Frugé. Playwright Chisa Hutchinson and Artistic Director Wesley Frugé discuss the current climate for work by playwrights of color, and advocate producing more …
