If the Movement Is Dead, Hand Over the Keys.
An open letter / provocation ahead of the September 29 gathering convened by the DeVos Institute and Out of Hand Theater, and an argument for why it might be time for someone else to do the …
An open letter / provocation ahead of the September 29 gathering convened by the DeVos Institute and Out of Hand Theater, and an argument for why it might be time for someone else to do the …
American theatre built permanent institutions around temporary artists and still calls the arrangement a career.
The regional theatre revolution stopped halfway. What would it take to finish it?
The end of one institutional model and the case for building a theatre commonwealth in its place.
Every nonprofit theatre says it values artists, education and community. Its compensation structure tells us whether that is true.
People are dying. The cue has been called. Will American theatre finally speak?
Theatre has spent 250 years becoming a public institution. Now it has to act like one.
We keep insisting our artform matters.
When the Line Is Crossed, Will Theatre Matter?
Producing plays matters. But the civic power of theatre lies in how intentionally we assemble the people who gather to see them.
TLDR: Coalition is not a talkback. It’s a casting decision. Theatre can deliberately bring unlikely stakeholders into the same room and build the relationships democracy needs to survive.
And how we step out of it in the next 7 days, 30 days, 60 days, and beyond.
Rehearsal for the Revolution
In the wake of the first letter, something stark and irreversible has happened.
Theatre-makers, artistic leaders, educators, producers, and cultural workers—