All stories by Mike Bevel on BroadwayStars

Monday, September 18, 2017

Review: ‘I Killed My Mother’ at Spooky Action Theater by Mike Bevel

Andras Viskey’s I Killed My Mother, now in production at Spooky Action Theater, is a challenging bit of business. Its wordless opening is several minutes of wordless wandering by vari…

Linked From DC Metro Theater Arts at 03:34PM
Sunday, September 17, 2017

Review: ‘Clover’ at Ally Theatre Company by Mike Bevel

But suicides have a special language. Like carpenters, they want to know which tools; They never ask why build. — Anne Sexton, “Wanting to Die” Laura Rocklyn and Ty Hallm…

Linked From DC Metro Theater Arts at 09:35PM
Monday, September 11, 2017

Review: ‘Jesus Hopped the ‘A’ Train’ at 1st Stage by Mike Bevel

Stephen Adly Guirgis’s Jesus Hopped the ‘A’ Train, now in production at 1st Stage, opens while the audience is still finding their seats. On a raised platform, in the round, Angel Cruz…

Linked From DC Metro Theater Arts at 09:15PM
Saturday, September 9, 2017

Review: ‘Noah: Apocalypse’ at LiveArtDC by Mike Bevel

We will now consider Amanda Quain’s latest play, Noah: Apocalypse, currently playing through September 18 in a bar in Petworth. “Is it a sequel?” my friend, Jeff, asked, a…

Linked From DC Metro Theater Arts at 04:33PM
Wednesday, September 6, 2017

Review: ‘Neverwhere’ at Rorschach Theatre by Mike Bevel

In 1582, a village parson heard the deathbed confession of a man named Richard Barley, who had married his butter churn. Barley claimed he had been bewitched into matrimony by a fairy called…

Linked From DC Metro Theater Arts at 10:04PM
Sunday, August 27, 2017

Review: Silver Spring Stage 2017 One Act Festival, Weekend Three by Mike Bevel

One-act plays are tricky beasts. Playwrights must balance tension with plot and story. Too little tension, and the audience is left bored, slogging through countably interminable minutes unt…

Linked From DC Metro Theater Arts at 01:31AM
Saturday, August 12, 2017

Interview: Montana DeBor, Mark Harding, Gwynne Flanagan Cox, and Elise “Teddy” Sipos from Sweet Spot Aerial Production’s ‘Smoky Mirrors’ by Mike Bevel

“My faith is a great weight hung on a small wire.” – Anne Sexton Each performer in Sweet Spot Aerial’s Smoky Mirrors places great faith in materials: fabric, rope, chains, muscle. Th…

Linked From DC Metro Theater Arts at 12:37PM
Friday, August 11, 2017

Review: ‘The Cabinet of Dr. Caligari’ featuring Tom Teasley at Constellation Theatre Company by Mike Bevel

When The Cabinet of Dr. Caligari hit German movie screens in 1920, it baffled and delighted audiences who had primarily been entertaining themselves with annual Film Festivals of Fred Ott’…

Linked From DC Metro Theater Arts at 02:44AM
Saturday, August 5, 2017

Review: ‘Spring Awakening’ at Wildwood Summer Theatre at the Arts Barn by Mike Bevel

Spring Awakening (co-created by Steven Sater and Duncan Sheik and now playing at the Arts Barn in The Kentlands) has a circular tragedy to it. Teens, struggling through youth and confusion a…

Linked From DC Metro Theater Arts at 04:10PM
Thursday, August 3, 2017

Interview: Performers from the Upcoming ‘Atomic Doll Productions Presents: Shocked and Amazed!’ – Part II by Mike Bevel

Atomic Doll Productions Presents: Shocked and Amazed! was inspired by James Taylor’s Shocked and Amazed: On and Off the Midway, the world’s leading journal on weirdness in enter…

Linked From DC Metro Theater Arts at 08:00AM
Wednesday, August 2, 2017

Interview: Performers from the Upcoming ‘Atomic Doll Productions Presents: Shocked and Amazed!’ – Part I by Mike Bevel

Catching Up With Atomic Doll Productions! Sideshows and carnival acts have always offered normies a safe space to vicariously scratch that thrill itch. It’s equal part “I want to watch a…

Linked From DC Metro Theater Arts at 01:22AM
Sunday, July 23, 2017

Review: ‘Seven Brides for Seven Brothers’ at the Summer Dinner Theatre of Montgomery College by Mike Bevel

In 1850 Oregon, Adam Pontipee (a velvety-voiced Da’Von Moody) has come to town to trade some furs and look for a bride. We know he’s a romantic because his opening song is “Bless Your …

Linked From DC Metro Theater Arts at 03:40PM
Saturday, July 22, 2017

Review: ‘to tell my story: a hamlet fanfic’ at The Welders at Silver Spring Black Box Theater by Mike Bevel

Maybe the only way the play Hamlet could ever make sense is to filter it through a teenaged girl perspective. Watching a 30-year-old man galumph and philosophize his way through Elsinore –…

Linked From DC Metro Theater Arts at 02:10PM
Monday, July 17, 2017

Review: ‘Lady Day at Emerson’s Bar & Grill’ at Anacostia Playhouse by Mike Bevel

“These are my friends,” Billie Holiday (Anya Nebel) tells her accompanist (LeVar Betts), gesturing at the audience. It is March of 1959, and Holiday will be dead in four months. She’s …

Linked From DC Metro Theater Arts at 12:33PM

Review: ‘Oblivion’ at Unexpected Stage Company by Mike Bevel

“Games have rules,” Brooklyn-parent Dixon (Zach Brewster-Geisz) tells his wife, Pam (Mindy Shaw). They’re playing Boggle, Dixon has tried to play “Slurpee,” and both are a little w…

Linked From DC Metro Theater Arts at 01:07AM
Sunday, July 16, 2017

2017 Capital Fringe Review: ‘My Lack of a Social Life’ by Mike Bevel

Douglas Stafford is a very talented juggler. If that is an interest of yours, if you like juggling, and you’ve got an hour, then you may like this show. Stafford is pretty good as a magici…

Linked From DC Metro Theater Arts at 02:29PM
Thursday, July 13, 2017

2017 Capital Fringe Review: ‘Kara Sevda’ by Mike Bevel

Let’s get this part out of the way quickly: Lisa VillaMil’s Kara Sevda (at Shopkeepers through July 22) is an exhilarating piece of theater, masterfully and assuredly directed by Kat Haa…

Linked From DC Metro Theater Arts at 09:25PM
Wednesday, July 12, 2017

2017 Capital Fringe Review: ‘Garbage Person Karaoke’ by Mike Bevel

Over the 65-minute run time of Caroline Bennett’s Garbage Person Karaoke, there are moments of painful comedy and bitter emotional connections with that specific kind of heartbreak that ki…

Linked From DC Metro Theater Arts at 01:56PM

2017 Capitol Fringe Review: ‘There Ain’t No More’ by Mike Bevel

  Willie Carlisle is an astonishing performer, and if I were only reviewing his performance of mountain folk music, I’d recommend this show with the entirety of my full heart. Guitar,…

Linked From DC Metro Theater Arts at 12:28PM
Monday, July 10, 2017

Review: ‘We Found the Wild Things’ at Who What Where Theater Collective by Mike Bevel

It is New Year’s Eve, 2015, and seven high school seniors have gathered at the home of the twins, Nicole (Skye Lindberg) and August (Zachary Wilcox). There’s Maisy (Catherine Anne Gilber…

Linked From DC Metro Theater Arts at 04:59PM
Sunday, July 9, 2017

2017 Capital Fringe Review: ‘Not Quite: Asian American by Law, Asian Woman by Desire’ by Mike Bevel

See this show. Stop reading this review, click this hyperlink, buy a ticket, and see it. Don’t want to go alone? I’ll see it with you. We’ve never met before? Who cares. I’m your new…

Linked From DC Metro Theater Arts at 01:19AM
Saturday, July 8, 2017

2017 Capital Fringe Review: ‘Ghouls’ by Mike Bevel

There is a moment in Sean Surla’s one-woman piece, Ghouls, (playing at the Atlas Performing Arts Center through July 16) where Emel Haddad – Surla’s stand-in for herself, and an extrao…

Linked From DC Metro Theater Arts at 05:26PM

2017 Capital Fringe Review: ‘Caveat’ by Mike Bevel

Caveat (written and directed by Ben Lockshin and playing at Gallaudet University’s Eastman Studio Theater) is a “One’s-a” show, where each character is an idea of a person more than …

Linked From DC Metro Theater Arts at 01:50AM
Sunday, July 2, 2017

Review: ‘Godspell’ at Infinity Theatre Company by Mike Bevel

​The early 1970s gave us three Bible-themed musicals: Stephen Schwartz’s Godspell (currently in a production directed by Alan Ostroff at Infinity Theatre Company in Annapolis), as we…

Linked From DC Metro Theater Arts at 01:31PM
Saturday, June 24, 2017

​Review: ‘Into the Woods’ at Summer Dinner Theatre at Montgomery College by Mike Bevel

Each time I’ve seen Stephen Sondheim’s Into the Woods, now playing at Montgomery College’s Summer Dinner Theatre through July 2nd, is the best time I’ve seen Into the…

Linked From DC Metro Theater Arts at 10:48PM