All stories by Michael Dale on BroadwayStars

Thursday, February 1, 2018

BWW Review: The Mad Ones' MILES FOR MARY Salutes The Understated Heroism of Public School Teachers by Michael Dale

With the past year bringing in a new administration with a new Secretary of Education, the national awareness of how overworked, undercompensated and financially burdened America's public sc…

SOURCE: BroadwayWorld at 02:30AM
Thursday, January 25, 2018

BWW Review: Casual Sex Meets Edwardian Morals in Stanley Houghton's HINDLE WAKES by Michael Dale

All too often, the word dated is misguidedly used to diminish the impact a play of a bygone era can have on contemporary audiences. Take, for example, the puritanical attitude towards pre…

SOURCE: BroadwayWorld at 03:15AM
Sunday, January 21, 2018

BWW Review: Split Britches Invites Audience Members To Join Their Council of Elders in UNEXPLODED ORDNANCES (UXO) by Michael Dale

As the ground-breaking theatre troupe Split Britches - which they founded with former member Deb Margolin in 1980 - Peggy Shaw and Lois Weaver have been challenging both gender norms and the…

SOURCE: BroadwayWorld at 05:09AM
Tuesday, January 16, 2018

BWW Review: Enda Walsh's Breakout Edge-Fest DISCO PIGS Reveals an Unsettling Friendship by Michael Dale

Fear not, all you American playgoers whose comprehension skills usually require a few minutes of ear adjustment whenever a production from Britain or Ireland crosses over with its native cas…

SOURCE: BroadwayWorld at 09:32AM
Friday, January 12, 2018

BWW Review: John Lithgow Recalls Telling Tales With His Father In STORIES BY HEART by Michael Dale

'So what the hell is this,' John Lithgow quizzically quips to the audience at the outset of his Broadway solo stint.

SOURCE: BroadwayWorld at 11:26AM
Wednesday, January 10, 2018

BWW Review: Lip Sync Artist Dickie Beau's RE-MEMBER ME Honors a Hamlet That Was Nearly Not To Be by Michael Dale

Savvy playgoers attending British lip-sync artist Dickie Beau's RE-MEMBER ME at this year's Under The Radar Festival will notice that when a recording of Michael Douglas, playing Broadway di…

SOURCE: BroadwayWorld at 08:00AM
Tuesday, January 9, 2018

BWW Review: Men Worship Extinct Women in Robert O'Hara's Audacious Satire MANKIND by Michael Dale

That old adage that if men got pregnant, abortion and reproductive health would be fully funded by the federal government gets quite a workout in playwrightdirector Robert O'Hara's wild gend…

SOURCE: BroadwayWorld at 04:10AM
Monday, January 8, 2018

BWW Review: Legendary Music Journalist Lester Bangs Revisited in HOW TO BE A ROCK CRITIC by Michael Dale

Be careful about expressing your admiration for certain artists during Jessica Blank and Erik Jensen's hard-edged solo play, HOW TO BE A ROCK CRITIC. Though the audience is encouraged to eng…

SOURCE: BroadwayWorld at 08:08AM
Tuesday, January 2, 2018

BWW Review: NYGASP Delights Aboard Gilbert & Sullivan's Love Boat, H.M.S. PINAFORE by Michael Dale

Ninety-nine years before television producer Aaron Spelling first invited viewers aboard 'The Love Boat,' Gilbert and Sullivan made good on their promise of shipboard romance with their endu…

SOURCE: BroadwayWorld at 02:49AM
Thursday, December 28, 2017

BWW Review: Robert Fairchild Brings Captivating Dramatic Beauty To MARY SHELLEY'S FRANKENSTEIN by Michael Dale

Boris Karloff... Peter Boyle... Shuler Hensley... and Robert Fairchild. One of these things is not like the others.

SOURCE: BroadwayWorld at 03:42AM
Thursday, December 21, 2017

BWW Review: Fiasco Brings A Rousing TWELFTH NIGHT To CSC by Michael Dale

Sure, HAMLET may be William Shakespeare's dramatic masterpiece, but when pining for some romantic comedy, it's hard to beat Twelfth Night.

SOURCE: BroadwayWorld at 09:18AM
Monday, December 18, 2017

BWW Review: Mark Rylance Returns To Broadway in Unamplified and Candlelit FARINELLI AND THE KING by Michael Dale

Fans of trained actors filling Broadway houses with the richness of their unamplified voices not to mention those who believe electric lights are overrated have reason to rejoice. Shakespea…

SOURCE: BroadwayWorld at 02:05AM
Friday, December 15, 2017

BWW Review: John Kevin Jones Recreates Charles Dickens' Readings Of A CHRISTMAS CAROL at Landmark Merchant's House Museum by Michael Dale

It may not be as well-known a holiday tradition as seeing the Rockettes at Radio City Music Hall, but for the fifth straight year, the Summoners Ensemble Theatre's delightful presentation of…

SOURCE: BroadwayWorld at 01:46AM
Wednesday, December 13, 2017

BWW Review: Lucy Kirkwood's Thoughtful THE CHILDREN Considers What Older Generations Owe To Younger Ones by Michael Dale

When you consider the number of years that humans have been the dominant species on this planet, it was a comparatively quick burst of industrialization that set up the very real dilemma of …

SOURCE: BroadwayWorld at 02:51AM
Tuesday, December 12, 2017

BWW Review: A 1976 Attack in Washington Square Park Inspires DOWNTOWN RACE RIOT by Michael Dale

Despite its provocative title, and despite a game effort by director Scott Elliott's ensemble cast, Seth Zvi Rosenfeld's fact-inspired drama DOWNTOWN RACE RIOT, is a bit of a bore.

SOURCE: BroadwayWorld at 02:42AM
Friday, December 8, 2017

BWW Review: The Public Theater's Mobile Unit Offers A Free THE WINTER'S TALE by Michael Dale

Before every performance by The Public Theater's Mobile Unit, the audience is reminded of Joseph Papp's credo that the plays of William Shakespeare belong to everyone. The theatre pioneer cr…

SOURCE: BroadwayWorld at 08:16AM
Thursday, December 7, 2017

BWW Review: Tina Landau Spins Seaweed Into Gold With SPONGEBOB SQUAREPANTS by Michael Dale

Feel free to lavish director Tina Landau with a flood of praise for spinning seaweed into gold with SPONGEBOB SQUAREPANTS, the hyperactive new musical based on the long-running Nickelodeon a…

SOURCE: BroadwayWorld at 02:05AM
Tuesday, December 5, 2017

BWW Review: Michael Arden Stages ONCE ON THIS ISLAND With a Nod To The Dangers of Climate Change by Michael Dale

While there's nary a mention of global warming or human-made climate change in Stephen Flaherty and Lynn Ahrens', captivating and joyous Caribbean story-theatre musical ONCE ON THIS ISLAND, …

SOURCE: BroadwayWorld at 02:48AM
Sunday, December 3, 2017

BWW Review: Lesli Margherita's a Riot in Matthew Lombardo's Grinch Spoof WHO'S HOLIDAY by Michael Dale

Don't be fooled. That familiar-sounding melody played at the top of Matthew Lombardo's hilariously subversive WHO'S HOLIDAY is not Welcome Christmas, the joyous chorale from the beloved t…

SOURCE: BroadwayWorld at 01:50PM
Friday, December 1, 2017

BWW Review: Beau Willimon's THE PARISIAN WOMAN Has Uma Thurman Seeking Pleasure and Power in Trump's Washington by Michael Dale

Donald Trump hadn't even won his first Republican primary when Henri Becque's comedy of sexual liberation, LA PARISIENNE, created such an uproar at it's 1895 Paris premiere. But while the c…

SOURCE: BroadwayWorld at 09:03AM
Thursday, November 30, 2017

BWW Review: Steve Martin's Hilarious METEOR SHOWER is Undiluted Surrealist Vaudeville by Michael Dale

They say communication is the key to a successful relationship. They also say there's such a thing as overdoing it.

SOURCE: BroadwayWorld at 09:22AM
Tuesday, November 28, 2017

BWW Review: Company XIV's Erotic Holiday Treat NUTCRACKER ROUGE Christens Their New Brooklyn Home by Michael Dale

For over a decade, the unquestionably brilliant directorchoreographer Austin McCormick's Company XIV has been dazzling audiences with unexpected wonders.

SOURCE: BroadwayWorld at 04:18AM
Sunday, November 26, 2017

BWW Review: Sarah DeLappe's Pulitzer Finalist THE WOLVES Moves To Lincoln Center by Michael Dale

The almost completely circular, arena style seating of Lincoln Center's Mitzi E. Newhouse Theater makes it a perfect venue for The Wolves, Sarah DeLappe's 2017 Pulitzer finalist drama about …

SOURCE: BroadwayWorld at 04:33PM
Saturday, November 25, 2017

BWW Review: Jocelyn Bioh's SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY Addresses Issues of Beauty and Skin Tone by Michael Dale

Though the teenage girls at the center of Jocelyn Bioh's endearing and poignant SCHOOL GIRLS OR, THE AFRICAN MEAN GIRLS PLAY all have wonderful qualities that should be appreciated and nurtu…

SOURCE: BroadwayWorld at 12:23PM
Thursday, November 23, 2017

BWW Review: SECRET SUPPER: THE MUSICAL Takes A Meta Look At Attending Social Events by Michael Dale

With the audience seated family style at several long tables, director Andrew Neisler seats the actors at elevated places around the perimeter. As they talk across the room to each other, i…

SOURCE: BroadwayWorld at 02:30AM
Wednesday, November 22, 2017

BWW Review: HOME FOR THE HOLIDAYS Is Like Walking In A Melisma Wonderland by Michael Dale

HOME FOR THE HOLIDAYS which really could be called Home For Christmas since that's the only holiday mentioned is a 90-minute concert starring three vocalists who first gained fame by winni…

SOURCE: BroadwayWorld at 02:05AM
Sunday, November 19, 2017

BWW Review: Lisa Lampanelli's Poignant and Funny STUFFED Explores Body Image and Relationships With Food by Michael Dale

Though her aggressive style of dishing out insults has earned her the title of standup comedy's Queen of Mean, Lisa Lampanelli comes somewhat closer to being the Empress of Empathy in her co…

SOURCE: BroadwayWorld at 05:35PM

BWW Review: Christopher Wheeldon Stages a Thrilling City Center Mounting of Lerner and Loewe's Sumptuous BRIGADOON by Michael Dale

Like the city where it was born and nurtured, the American musical play differs from similar stage entertainments because it was developed by a combination of cultures merging into a unique …

SOURCE: BroadwayWorld at 03:05AM
Saturday, November 18, 2017

BWW Review: Julie Taymor Directs Revised Version of David Henry Hwang's Tony Winner M. BUTTERFLY by Michael Dale

When David Henry Hwang's 1988 Best Play Tony-winner M. BUTTERFLY, inspired by the romance between French diplomat Bernard Boursicot and Peking opera singer Shi Pei Pu, who the Frenchman didn…

SOURCE: BroadwayWorld at 02:35PM
Thursday, November 16, 2017

BWW Review: Trump Administration Brings Greater Relevance To John Leguizamo's LATIN HISTORY FOR MORONS by Michael Dale

When John Leguizamo's poignant, provocative and, yes, downright hilarious LATIN HISTORY FOR MORONS premiered at The Public Theater in March of this year, a country that was created by white …

SOURCE: BroadwayWorld at 09:54AM
Tuesday, November 14, 2017

BWW Review: One Says Consensual, The Other Says Rape in Anna Ziegler's ACTUALLY by Michael Dale

Sex is sex and rape is rape. That's the cut and dry explanation we often hear nowadays. And while there are obvious instances where any reasonable person would determine that rape has occu…

SOURCE: BroadwayWorld at 08:33PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic