Who is theater for? Where and how does theater speak for, from and to the margins, the marginalized, the forcibly displaced, the intentionally erased?
SOURCE: Culture Bot at 04:02AMAn appropriately multi-modal effort towards dialogue about Yanira Castro's Exorcism = Liberation, a massive public art project that began in July and continues until election day.
SOURCE: Culture Bot at 02:02PMKazakhstan’s ORTA Collective presented Spectacular Experiments on the Great Atomic Bombreflector at La MaMa ETC in association with CultureHub.
SOURCE: Culture Bot at 01:18PMA golden age is brewing for AAPI contemporary performance[i] with Glenn Potter-Takata and evan ray suzuki serving as crafty “kodama” (木霊, 木魂 or 木魅) leading us through the for…
SOURCE: Culture Bot at 02:06PMAlethea Pace’s “between wave and water,” presented recently at BAAD!, honors the memory of the ancestors buried there in a potent passage of works that resist the urge to erase America…
SOURCE: Culture Bot at 04:32PMSo, while trying to strictly manage the pervasive NYC version of Arts Presenters-infected "festival fomo," I still accumulated enough exposure to the spores of a range of performances in the…
SOURCE: Culture Bot at 03:02PMPut Away the Fire, dear pt.2 (in draft form) at La MaMa Moves last month moves in and out of cinematic and live performance structures, often jump-cutting from internal narratives to vigoro…
SOURCE: Culture Bot at 12:54PM
