Konrad Hello, I’m Konrad. I’m here to share an account of the production of Mark Ravenhill’s The Haunting of Susan A. I saw it on the 11th of June 2022 at The King’s Head Theatre –…
SOURCE: thetheatretimes.com at 01:06PMEngaging with narratives that draw on the subject of male queerness can be precarious. Two major British productions seem to have proven this point within the past few years. Firstly, there�…
SOURCE: thetheatretimes.com at 03:46AMTim Norwood describes himself as an emerging theatre-maker from Sheffield. He’s queer, disabled, and happily mining them both for material. He uses personal and confessional writing to mak…
SOURCE: thetheatretimes.com at 01:50AMToday, Krzysztof Warlikowski is considered one of the most influential auteurs devising for the stage (indeed, his profile was added to Maria M. Delgado’s and Dan Rebellato’s recent re-e…
SOURCE: thetheatretimes.com at 07:10PML. P. Hartley’s much-recycled observation that ‘the past is a foreign country’ seems an oddly befitting introduction to Opole-based Kochanowski Theatre’s 2004 production of Shakespea…
SOURCE: thetheatretimes.com at 03:30PM