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I don't think it's our job to banish the darkness. But I think it's our job to understand that the light locates us in this womb. It locates us in this infinite and ever expanding universe. …
My dad called in a fright. He said, "My God, there's a gun in one of these boxes!" And I said, "Yeah, I bought a gun once." He said "Well, I want to throw it away." I said, "That's fine, you…
what I'm doing is, by cutting things the way that I'm cutting them, and by putting them in the proximity that I'm putting them in, I'm trying to make more audible the patterns that you would…
This question of power comes up - who are we listening to the most? And who are we not listening to, or are somehow unable to listen to, or fall asleep while they're talking?
Being on a plane you're just constantly being confronted with your own mortality. Or at least I am.
In the alchemy of her performance, humor and transformation become means not of hiding the self, but of revealing it.
I got the impression that Corinne and Sarah were working out their ideas in front of me, rather than regurgitating concepts already known. In other words, the play was becoming before my eye…
Rohina Malik and Kareem Fahmy talk The Mecca Tales with Jerry Lieblich
Are you going to shout into the void? Fall into the void? Become one with the void? Run with the void?
Thoughts on McFeely Sam Goodman's Afterward
"I never felt like a person of color until I came to New York and started working in the theater. The theater, of all places, was where I first encountered racism in New York." - Sevan K. Gr…
Some sentences on Alex Borinsky's The Witches
Jerry Lieblich and Jarrett Moran go in-depth about poop and mass
Jerry Lieblich talks with Kareem Fahmy and Victor Lesniewski about Couriers and Contrabands, upcoming at TGB Theater.
Thoughts on Anne Washburn’s 10 out of 12
Kareem Fahmy and Jerry Lieblich reflect on I'M LOOKING FOR HELEN TWELVETREES
Sam Alper talks about LOVEPLAY/PLAYMONEY, opening next week at LaMama.
A response to Iranian artist Amir Reza Koohestani's TIMELOSS in the Under the Radar Festival
Is appropriation another act of radical revaluing?
Jerry Lieblich reflects on Daniel Fish's A (Radically Condensed and Expanded) Supposedly Fun Thing I'll Never Do Again
Jerry Lieblich interviews the director Daniel Fish
A long form interview about Ayad Ahktar's The Invisible Hand