All stories by Howard Sherman on BroadwayStars

Friday, October 28, 2016

Howard Sherman: How do you take a show to Broadway when you’re not allowed into the US? by Howard Sherman

Do you remember the final scene from The Producers, the stage musical? Having been jailed for the financial fraud they perpetrated with

SOURCE: The Stage Registration at 02:00AM
Thursday, October 27, 2016

In Oregon, Theatre and Bookstore Clash Over Free Speech & Racial Awareness by Howard Sherman

To be clear from the very start, two points. Judi Honoré, the owner of Shakespeare Books & Antiques in Ashland, Oregon, has every right to display anything she chooses in the window of…

SOURCE: www.artsintegrity.org at 03:59PM

I Really Was a Teenage Singing Zombie by Howard Sherman

Long after I stopped acting in school productions (which was November 1981 at the University of Pennsylvania, to be precise), my mother would periodically say how much she wished that my sho…

SOURCE: Howard Sherman at 08:13AM
Tuesday, October 25, 2016

Conflict and Conflict of Interest Over “The Great Comet” by Howard Sherman

In reporting on the dispute between Ars Nova and Howard Kagan, a lead producer of Natasha, Pierre and the Great Comet of 1812, both The New York Times and the New York Post have seeming…

SOURCE: www.artsintegrity.org at 11:51AM
Friday, October 21, 2016

Before Broadway’s “Falsettos,” Hartford Stage’s Changed Lives by Howard Sherman

When I speak about it with people who saw it, the phrase that comes up most often is, “It was life-changing.” When I speak about it with people who have read about it, but didn’t see i…

SOURCE: Howard Sherman at 02:17PM

Howard Sherman: How much should actors earn for their work in developing musicals? by Howard Sherman

It was big news last week when Disney Theatrical Productions, almost a year before the stage version of the animated film Frozen

SOURCE: The Stage Registration at 02:00AM
Friday, October 14, 2016

Howard Sherman: Voter registration shows how theatre lobbies have many uses by Howard Sherman

Because many of America’s largest subsidised theatres receive federal or state funding, and operate as tax-exempt organisations with defined cultural and educational

SOURCE: The Stage Registration at 02:00AM
Thursday, October 13, 2016

In New Musical About Amputee, Faking Disability by Howard Sherman

If you look at photos or video from Marathon of Hope, a new musical that just premiered in Waterloo, Canada, about an hour outside Toronto, something seems off. The musical is based on the l…

SOURCE: Howard Sherman at 11:58AM
Friday, October 7, 2016

Howard Sherman: Returning to the stage after 35 years helped me rediscover my inner actor by Howard Sherman

In hindsight, the more I think about it, I feel I should be at least slightly embarrassed. At the time, and in

SOURCE: The Stage Registration at 02:00AM
Friday, September 30, 2016

Howard Sherman: US theatres are no place to hide from pre-election politics by Howard Sherman

It was by coincidence, not design, that I was in mid-air over the Atlantic while Hillary Clinton and Donald Trump engaged in

SOURCE: The Stage Registration at 02:00AM
Friday, September 23, 2016

Howard Sherman: Michelle Obama and Sadiq Khan celebrate theatre’s soft power by Howard Sherman

I did not get to see the concert earlier this week where Cynthia Erivo sang from The Color Purple, Chilina Kennedy sang

SOURCE: The Stage Registration at 02:00AM
Thursday, September 22, 2016

When A Tree Falls in Athens and Rises in Camelot, Whose Design Is It Anyway? by Howard Sherman

There’s a very large tree that has been traveling around the Dallas-Fort Worth region in Texas. There’s no need to worry, as the tree hasn’t acquired independent mobility and become se…

SOURCE: www.artsintegrity.org at 01:46PM

In Brief: Race, Casting and “The Wild Party” at Yale by Howard Sherman

As theatre buffs know, there are two major musicals drawn from Joseph Moncure March’s The Wild Party, which debuted in New York within months of one another: the Michael John LaChiusa-Geor…

SOURCE: www.artsintegrity.org at 10:38AM
Friday, September 16, 2016

Howard Sherman: Is classic TV ripe for theatre’s picking? by Howard Sherman

In theatre, there’s typically somewhere between 90 minutes to two and a half hours to establish characters, take them through a plot

SOURCE: The Stage Registration at 02:00AM
Friday, September 9, 2016

How “N*W*C” Became Drama Non Grata On A California State Campus by Howard Sherman

To start at the end, or at least where we are today: Michele Roberge, executive director of the Carpenter Performing Arts Center on the campus of California State University, has resigned, e…

SOURCE: www.artsintegrity.org at 05:17PM

Howard Sherman: Pro-am theatre in New York delivers applause for the acting postman by Howard Sherman

Upon hearing that New York’s the Public Theater’s production of Twelfth Night included in its cast members of the Jambalaya Brass Band, the

SOURCE: The Stage Registration at 02:00AM
Thursday, September 8, 2016

When Deaf Voices Are Left Out Of “Tribes” by Howard Sherman

“Unfortunately, no deaf actors showed up to the auditions.” The statement above was made yesterday in a public statement to the Deaf and hard of hearing community by Leslie Charipar, art…

SOURCE: Howard Sherman at 12:48PM
Tuesday, September 6, 2016

“Offend and Apologize” Doesn’t Benefit The Arts by Howard Sherman

In recent years, it’s been suggested that some companies and organizations have intentionally caused upset through a statement or product, only to quickly recant, for the express purpose …

SOURCE: www.artsintegrity.org at 12:37PM
Saturday, September 3, 2016

Wells Fargo to Arts Kids: Abandon Your Dreams by Howard Sherman

O-ho the Wells Fargo Wagon is-a comin’ down the street, and apparently it’s not interested in doing business with kids who aspire to the arts, their parents, their teachers, or arts orga…

SOURCE: Howard Sherman at 03:37PM
Friday, September 2, 2016

Howard Sherman: How many audiences have memorised a script? by Howard Sherman

I am not a betting man, but if you are reading this column, I would wager that you’ve already listened to the

SOURCE: The Stage Registration at 02:00AM
Friday, August 26, 2016

Howard Sherman: Do artistic mission statements matter? by Howard Sherman

Plenty of theatres operate with somewhat generic mission statements, simply describing their goals of producing ‘excellent theatre’ that represents the ‘breadth of

SOURCE: The Stage Registration at 02:00AM
Friday, August 19, 2016

Howard Sherman: New US pay laws are a chance for the theatre industry to better itself by Howard Sherman

By confessing up front that this week’s column concerns an adjustment in the government overtime provisions of US labour law, I risk

SOURCE: The Stage Registration at 02:00AM
Thursday, August 18, 2016

Are Subsidiary Rights Right for FringeNYC Authors? by Howard Sherman

Now in its 20th year, the New York International Fringe Festival, better known as FringeNYC, has presented nearly 4,000 productions for five-performance runs each summer, sustaining a beehiv…

SOURCE: www.artsintegrity.org at 09:50AM
Monday, August 15, 2016

Quiara Alegría Hudes (and Lin-Manuel Miranda) on Casting “In The Heights” by Howard Sherman

The casting of the upcoming production of In The Heights at Porchlight Music Theatre in Chicago, in particular a non-Latinx actor in the leading role of Usnavi, has provoked a great deal of …

SOURCE: Howard Sherman at 11:50AM

Quiara Alegría Hudes (and Lin-Manuel Miranda) on Casting “In The Heights” by Howard Sherman

The casting of the upcoming production of In The Heights at Porchlight Music Theatre in Chicago, in particular the hiring of a non-Latinx actor for the leading role of Usnavi, has provoke…

SOURCE: www.artsintegrity.org at 10:30AM
Friday, August 12, 2016

Howard Sherman: Ragtime on Ellis Island’s emotive power shows value of theatre beyond walls by Howard Sherman

Walking through Covent Garden, I always imagine a site-specific production of My Fair Lady (or Pygmalion), with the opening scene played out

SOURCE: The Stage Registration at 02:00AM
Sunday, August 7, 2016

The Rolling Canvases of New York City by Howard Sherman

Thanks to smartphone technology, we all walk around with cameras in our pockets or bags, but tend to pull them out to take pictures of events, of friends, of ourselves. As someone trained on…

SOURCE: Howard Sherman at 06:30PM

For Stan Freberg, Whose Parodies and Satires Live On by Howard Sherman

To a particular subset of junior comedy nerds, of which I was an unapologetic member, 1976 was a watershed year, for a reason only tangentially connected to the official Bicentennial celebra…

SOURCE: Howard Sherman at 11:06AM
Friday, August 5, 2016

Howard Sherman: Meet the productions exploring our relationship with the mobile phone by Howard Sherman

With James Graham’s Privacy now playing at The Public Theater in a co-production with the Donmar Warehouse, New York audiences are currently

SOURCE: The Stage Registration at 02:00AM
Tuesday, August 2, 2016

The Frightened Arrogance Behind “It’s Called Acting” by Howard Sherman

  It is quite possible that, when the English stage was officially opened up to allow women to perform alongside men, most likely in 1660 when Margaret Hughes played Desdemona, some arg…

SOURCE: Howard Sherman at 10:54AM
Friday, July 29, 2016

Howard Sherman: Does Cats have any of its nine lives left for Broadway revival? by Howard Sherman

In hindsight, the slogan ‘now and forever’ looks a bit less like marketing and a bit more like hubris. While it didn’t

SOURCE: The Stage Registration at 02:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime