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72 stories by "Holly O'Mahony"

Jane Eyre: A Musical review – more Disney romance than Victorian gothic by Holly O'Mahony

Southwark Playhouse Elephant, London This production has a talented cast and looks the part, but the characterisation is thin and the songs are often cloyingMuch like Emerald Fennell’s fil…

SOURCE: The Guardian at 10:45am on September 9, 2026

Fame the Musical review – stardom seekers light up the stage like a flame by Holly O'Mahony

Theatre Royal Plymouth This exuberant revival fizzes like a shaken can of soda, capturing the round-the-clock toil of aspiring performersAs a real-life cohort of performers head to Edinburgh…

SOURCE: The Guardian at 12:45am on August 6, 2026

Hole! review – filthy musical fable enchants … and makes you blush by Holly O'Mahony

Soho theatre, LondonJake Brasch and Nadja Leonhard-Hooper are vivid storytellers and fine musicians and foley artistsA filthy fable about a god-fearing Christian sect in rural Nebraska who, …

SOURCE: The Guardian at 10:50am on July 19, 2026

‘It’s a national reclamation’: the 12-year festival bringing Samuel Beckett back to Ireland by Holly O'Mahony

The playwright has long been considered one of the country’s most famous exports, but not an ‘Irish writer’. An ambitious new season of plays explores his complex relationship with his…

SOURCE: The Guardian at 8:05am on July 10, 2026

Physical Education review – boisterous, cliche-busting lesson on teen masculinity by Holly O'Mahony

Swansea Grand theatreSchool locker room banter has a sinister edge in Jonathan Houlston’s shrewd debut, which pairs the toxic tropes of Adolescence with the group dynamics of Laura Wade’…

SOURCE: The Guardian at 7:35am on July 8, 2026

Camdenwalla review – one long night of fear and defiance in 90s London by Holly O'Mahony

Camden People’s theatre, London Jonny Khan’s debut play, about an uncle and niece manning phones at a rescue service during racist attacks, is well acted yet lacks tensionThis theatre’…

SOURCE: The Guardian at 12:05pm on June 19, 2026

Mrs Dalloway review – Virginia Woolf’s party planner plays all the roles herself by Holly O'Mahony

Storyhouse, ChesterKit Green takes on all the characters in an imaginative interpretation of the 1925 day-in-the-life novelAs Clarissa Dalloway wafts about the stage, welcoming her audience …

SOURCE: The Guardian at 7:20am on June 3, 2026

Quartet in Autumn review – Samantha Harvey gives new life to Barbara Pym tale of imminent retirement by Holly O'Mahony

Arcola theatre, LondonThe 70s novel about the everyday grumbles of four office workers remains just as relevant, playfully staged by director Dominic DromgooleIt’s no wonder why Barbara Py…

SOURCE: The Guardian at 12:15pm on May 21, 2026

Little Shop of Horrors review – a mixed bouquet of kooky romance, doo-wop and wild B-movie by Holly O'Mahony

Northern Stage, NewcastleThis revival of the carnivorous plant caper showcases strong voices, incorporates playful designs and splits Audrey II in twoSure, it would be possible to deliver a …

SOURCE: The Guardian at 12:25pm on May 15, 2026

Edinburgh Fringe Review: The Unmarried at Underbelly by Holly O'Mahony

It's getting hot in here: Lauren Gauge's monologue is a female-centred look at clubbing, coupling up and settling down. The post Edinburgh Fringe Review: The Unmarried at Underbelly appeared…

SOURCE: exeuntmagazine.com at 5:40am on August 28, 2017

Review: Nel at Incoming Festival by Holly O'Mahony

A well-rounded, uplifting story: Holly O'Mahony warms to Scratchwork Theatre's Nel at the New Diorama's Incoming Festival. The post Review: Nel at Incoming Festival appeared first on Exeunt …

SOURCE: exeuntmagazine.com at 3:59am on June 7, 2017

Review: The Brexorcist, Brighton Fringe by Holly O'Mahony

Rating: 2 stars The Brexorcist promised to be good on paper. In the Brighton Fringe brochure, it was described as "the true story of Brexit", "a multi-media political farce with a killer sou…

SOURCE: A Younger Theatre at 10:54am on May 15, 2017

Review: At the Junction Café, Brighton Fringe by Holly O'Mahony

Rating: 3 stars The programme for At the Junction Café describes the play as an exploration of the way we choose to isolate ourselves in public places, focusing on our phones instead of tal…

SOURCE: A Younger Theatre at 9:42am on May 15, 2017

Review: Petrushka, Brighton Fringe by Holly O'Mahony

"Ladies and gentlemen, please take your seats". I wait for a moment, expecting others to follow, but when no one does, I start making my way towards the stairs of the Rialto theatre. I turn …

SOURCE: A Younger Theatre at 4:54pm on May 13, 2017

Review: Werewolf: Live, Brighton Fringe by Holly O'Mahony

I’m a fan of the game Werewolf, having played a fair few rounds of it as a student. So I was intrigued and excited by the concept of it being turned into a Brighton Fringe spectacle by…

SOURCE: A Younger Theatre at 3:12pm on May 13, 2017

Review: They Built It. No One Came., Brighton Fringe by Holly O'Mahony

What should you do if you struggle to fit into modern society? Find someone you like, or someone who's like you, and build a commune with them. Such is the solution of Brother Tobias (Christ…

SOURCE: A Younger Theatre at 1:48pm on May 13, 2017

Review: 46 Beacon at Trafalgar Studios by Holly O'Mahony

A much more exciting party: Holly O'Mahony swims in the undercurrents of Bill Rosenfield's transferred two-hander. The post Review: 46 Beacon at Trafalgar Studios appeared first on Exeunt Ma…

SOURCE: exeuntmagazine.com at 5:13am on April 13, 2017

Review: 42nd Street at the Theatre Royal Drury Lane by Holly O'Mahony

Sunny side up: Holly O'Mahony contemplates 42nd Street's escapism amid 2017's political turbulence. The post Review: 42nd Street at the Theatre Royal Drury Lane appeared first on Exeunt Maga…

SOURCE: exeuntmagazine.com at 3:38am on April 7, 2017

Review: He(art), Theatre N16 by Holly O'Mahony

How far would you be prepared to go for art? What would you be willing to risk for those you love the most? He(art) is a cripplingly funny new writing by playwright Andrew Maddock, which exp…

SOURCE: A Younger Theatre at 12:12pm on January 18, 2017

Review: The Kite Runner, Wyndham's Theatre by Holly O'Mahony

Matthew Spangler’s stage adaptation of The Kite Runner, which premiered in California in 2009, has opened for a highly-anticipated stint in London's West End, with Giles Croft as direc…

SOURCE: A Younger Theatre at 12:12pm on January 18, 2017

Review: Left Luggage, The Space by Holly O'Mahony

Left Luggage is an endearing play following sisters Nicola (Kim Burnett) and Danni (Bryony Thomas) as they rediscover each other in the wake of their grandmother’s death. Written by Is…

SOURCE: A Younger Theatre at 1:52pm on October 20, 2016

Review: Scherzo for Piano and Stick, Coronet Print Room by Holly O'Mahony

In a play featuring powerful poetry, captivating physical sequences and some first-rate piano playing, it's a shame the standalone talents don't gel together more in Riotous Company's Scherz…

SOURCE: A Younger Theatre at 4:55pm on October 19, 2016

Review: Dreamless Sleep, Arts Theatre by Holly O'Mahony

Dreamless Sleep is the latest play by young writer-director Georgie Staight. It's a cripplingly funny, raw and moving examination of a relationship between N (Niamh Watson) and H (Hannah Law…

SOURCE: A Younger Theatre at 3:25am on September 23, 2016

Review: Extremities, Theatro Technis by Holly O'Mahony

What if an attempted rape cannot be proven? What if, by the time any witnesses show, the attacker appears the bloodied, tied-up victim, and the victim seems to have become the ruthless, craz…

SOURCE: A Younger Theatre at 4:09pm on August 31, 2016

Review: A Haunting, King's Head Theatre by Holly O'Mahony

There are many interesting angles or routes a play on internet grooming and protecting teens from explicit online content could take. Why writer Nathan Lucky Wood chose to turn what could ha…

SOURCE: A Younger Theatre at 6:21am on July 23, 2016
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