All stories by Gregory Fletcher on BroadwayStars

Thursday, May 29, 2025

Off-Broadway Review: BLOOD, SWEAT, AND QUEERS (Untitled Theater Company No. 61 at Bohemian National Hall) by Gregory Fletcher

A FORGOTTEN CHAMPION RECLAIMED Rehearsal for Truth International Theater Festival, an annual showcase of contemporary European theater, is unfolding under the banner of Perseverance at Bohem…

SOURCE: stageandcinema.com at 08:25PM
Sunday, May 25, 2025

Off-Broadway Review: CRACKED OPEN (Theatre Row) by Gregory Fletcher

A WELL-INTENTIONED LOOK AT MENTAL ILLNESS Dream Big World Theatre, Inc. opened Gail Kriegel’s Cracked Open tonight at Off-Broadway’s Theatre Row, tackling the complex and often stigmatiz…

SOURCE: stageandcinema.com at 03:22PM
Monday, May 19, 2025

Off-Broadway Review: BOWL EP (Vineyard Theatre) by Gregory Fletcher

A SURREAL, SKATER-RAP FEVER DREAM I’m not going to lie—I am not the intended audience for Bowl EP. But make no mistake: this is a well-mounted, undeniably audacious performance that reso…

SOURCE: stageandcinema.com at 09:40AM
Wednesday, May 14, 2025

Off-Broadway Review: THE LAST BIMBO OF THE APOCALYPSE (The New Group) by Gregory Fletcher

GOES FROM A Y2K POP TO GEN ZZZZZZZZ There was a buzz of anticipation in the air as the house lights blacked out at the Alice Griffin Jewel Box Theater—an audible fandom of excitement. Had …

SOURCE: stageandcinema.com at 02:21AM
Tuesday, May 13, 2025

Broadway Review: JOHN PROCTOR IS THE VILLAIN (Booth) by Gregory Fletcher

JOHN PROCTOR GETS CANCELLED In an honors English classroom at a county high school in northeast Georgia, seven juniors are cracking open Arthur Miller’s The Crucible. Mr. Smith (Gabriel Eb…

SOURCE: stageandcinema.com at 10:24AM
Thursday, May 8, 2025

Off-Broadway Review: THE END OF ALL FLESH (Magnet Theater} by Gregory Fletcher

FLESHING IT OUT OF THE PARK The Monday Night Musicals series at the intimate Magnet Theater is serving up a theatrical amusement for those who like their bluegrass pickin’ with a side of p…

SOURCE: stageandcinema.com at 08:26PM

Off-Broadway Review: THE ALGORHYTHMS (Monday Night Musicals at Magnet Theater) by Gregory Fletcher

MATH APPEAL The Monday Night Musicals series at the intimate Magnet Theater offers a vibrant platform for new work that blends comedic storytelling with musical innovation. Stripped down to …

SOURCE: stageandcinema.com at 08:25PM
Tuesday, May 6, 2025

Broadway Review: PIRATES! THE PENZANCE MUSICAL (Roundabout at Todd Haimes Theatre) by Gregory Fletcher

A JAZZY JUMBALAYA OF JOY The current revival of The Pirates of Penzance at the Todd Haimes Theatre isn’t just a revival — it’s a reincarnation. Yes, rechristened, reimagined, and thoro…

SOURCE: stageandcinema.com at 08:29AM

Broadway Review: REAL WOMEN HAVE CURVES: THE MUSICAL (James Earl Jones Theatre) by Gregory Fletcher

FROM SWEATSHOP FLOORS TO BROADWAY DOORS: REAL WOMEN HAVE CURVES SEAMS TOGETHER A RUNWAY HIT The empowering new musical Real Women Have Curves, which opened Sunday night at the James Earl Jon…

SOURCE: stageandcinema.com at 08:29AM
Monday, May 5, 2025

Off-Broadway Review: CEREMONIES IN DARK OLD MEN (The Peccadillo Theater Company and Negro Ensemble Company at Theatre at St. Clement’s) by Gregory Fletcher

First produced by the Negro Ensemble Company in 1969, Lonne Elder III’s Ceremonies in Dark Old Men became an immediate critical success and a defining work of its era. For decades, it stoo…

SOURCE: stageandcinema.com at 08:01PM
Monday, April 28, 2025

Off-Broadway Review: MYSTIC CONVERSATIONS (Theatre Row) by Gregory Fletcher

SEEING THE UNSEEN: JULIA BELL BARRY’S HAUNTING NEW PLAY Part memoir, part The Sixth Sense, Julia Barry Bell’s new play, which opened tonight at Theatre Row, asks a haunting question: how…

SOURCE: stageandcinema.com at 01:52PM
Sunday, April 27, 2025

Broadway Review: DEAD OUTLAW (Longacre Theatre) by Gregory Fletcher

DEATH BECOMES HIM In 2016, Steve Martin and Edie Brickell’s Bright Star introduced a sound I’d never heard on Broadway—a blend of Americana and bluegrass so distinct it felt like a new…

SOURCE: stageandcinema.com at 08:05PM

Theater Review: THE EMPLOYEES (A Performance-Installation by Łukasz Twarkowski at NYU Skirball) by Gregory Fletcher

HUMANS, BEST BE ON YOUR AVANT-GARDE The Employees, originally produced at Studio Teatrgaleria in Warsaw, is a visionary performance and installation work by Polish-born artist, writer and di…

SOURCE: stageandcinema.com at 09:44AM
Friday, April 25, 2025

Off-Broadway Review: ALL THE WORLD’S A STAGE (Keen Company at Theatre Row) by Gregory Fletcher

A MEANINGFUL MUSICAL WHERE IDENTITY, ART, AND SILENCE COLLIDE IN 1996 PENNSYLVANIA The title might suggest a classical drama—perhaps something Shakespearean or starchy—but Keen Company�…

SOURCE: stageandcinema.com at 08:49AM
Wednesday, April 23, 2025

Off-Broadway Review: GRIEF CAMP (Atlantic Theater Company) by Gregory Fletcher

NOTHING HAPPENS. EVERYTHING HURTS. If you’re a fan of Annie Baker—whose plays of quiet revelatory naturalism include The Flick, Circle Mirror Transformation, John, and my personal favori…

SOURCE: stageandcinema.com at 04:57AM
Thursday, April 17, 2025

Off-Broadway Review: GLASS. KILL. WHAT IF IF ONLY. IMP. (Quartet of Caryl Churchill Plays at The Public Theater) by Gregory Fletcher

KNEEL AT THE CHURCH OF CHURCHILL A drum roll begins each act and ends with a cymbal crash. Paired with the red front curtain and chaser lights outlining the proscenium arch, one might brace …

SOURCE: stageandcinema.com at 08:25AM
Sunday, April 13, 2025

Dance Review: AMOUR, ACIDE ET NOIX (Daniel Léveillé Dance at NYU Skirball) by Gregory Fletcher

THE NAKED TRUTH In Amour, Acide et Noix, Canadian choreographer Daniel Léveillé presents a stark and unflinching meditation on the human form—one that reduces dance to its most essential…

SOURCE: stageandcinema.com at 08:53AM
Saturday, March 29, 2025

Off-Broadway Review: MASTERCLASS (NYC Skirball) by Gregory Fletcher

WHITEOUT NYU Skirball adheres closely to James Baldwin’s dictum: “Artists are here to disturb the peace.” With the U.S. premiere of Masterclass, Skirball’s mission has been resoundin…

SOURCE: stageandcinema.com at 12:46PM
Thursday, March 27, 2025

Off-Broadway Review: WHO IS JIMMY PANTS? (York Theatre) by Gregory Fletcher

IT’LL KNOCK THE PANTS OFF O’ YOUSE Who Is Jimmy Pants? is the second production in the York’s Spring 2025 “New2NY” series, presented at the Theater at St. Jean’s on East 76th Str…

SOURCE: stageandcinema.com at 11:24PM
Sunday, March 23, 2025

Off-Broadway Review: UPSIDE DOWN (AMT Theater) by Gregory Fletcher

UPSIDE DOWN A STRAIGHT UP MUSICAL SATIRE I admire AMT Theater for two key reasons: its dedication to developing new works—particularly musicals, which I’ve witnessed in the past—and it…

SOURCE: stageandcinema.com at 01:26PM
Monday, March 17, 2025

Theater Interview: JASON TAM (currently performing in “The Jonathan Larson Project” at NYC’s The Orpheum Theatre) by Gregory Fletcher

EMBRACIN’ JASON For many, Jason Tam first made a lasting impression with his unforgettable audition for Paul in the Broadway revival of A Chorus Line, as seen in the documentary Every Litt…

SOURCE: stageandcinema.com at 06:11PM

Off-Broadway Review: GRANGEVILLE (Samuel D. Hunter World Premiere by Signature Theatre) by Gregory Fletcher

LOOK HOMEWARD, ANGEL In what may be the slowest lights-up in New York theater, the first cue of Grangeville takes several minutes to complete—perhaps a 400 count. But lighting designer Sta…

SOURCE: stageandcinema.com at 04:25PM
Monday, March 10, 2025

Off-Broadway Review: AS TIME GOES BY (Out of the Box Theatrics at 154 Christopher Street) by Gregory Fletcher

Danny Brown’s two-hander opens with an orgasm and closes with a cathartic cleansing. Between these bold bookends lies 90 minutes of small talk—covering everything from sex and relationsh…

SOURCE: stageandcinema.com at 10:26AM
Friday, March 7, 2025

Theater Interview: KEVIN CSOLAK (Currently Starring as ‘Tulsa’ in Gypsy with Audra McDonald) by Gregory Fletcher

KEVIN CSOLAK HAS HIS HOPES HIGH, NOT TO MENTION THE TIME, PLACE AND RHYTHM Kevin Csolak (pronounced SO-lack) is currently playing Tulsa in the Broadway production of Gypsy with Audra McDona…

SOURCE: stageandcinema.com at 07:50AM
Wednesday, March 5, 2025

Off-Broadway Review: SUMO (The Public Theater) by Gregory Fletcher

FOR ALL IT’S GIRTH Sumo is a Japanese sport in which two bulky Japanese wrestlers clutch and grab at each other within a circular ring. The goal is to either eject the opponent from the ri…

SOURCE: stageandcinema.com at 10:24PM
Sunday, March 2, 2025

Off-Broadway Review: ON THE EVOLUTIONARY FUNCTION OF SHAME (Second Stage at Pershing Square) by Gregory Fletcher

A SHOUTING SHAME On the Evolutionary Function of Shame—which Second Stage Theater opened on February 26 at The Pershing Square Signature Center—ambitiously tackles complex themes of iden…

SOURCE: stageandcinema.com at 06:21PM
Sunday, February 23, 2025

Off-Broadway Review: SAFE HOUSE (St. Ann’s Warehouse) by Gregory Fletcher

IT’S SAFE TO DRAW YOUR OWN CONCLUSIONS AT HOUSE St. Ann’s Warehouse, in association with New York’s Irish Arts Center, presents Safe House, a one-person song cycle originally produced …

SOURCE: stageandcinema.com at 05:36PM
Friday, February 21, 2025

Broadway Review: REDWOOD (Nederlander Theatre) by Gregory Fletcher

A DESIGN AS IMPRESSIVE AS A REDWOOD ITSELF The new Broadway musical Redwood, which opened on February 13, is a master class in tech theater. Set designer Jason Ardizzone-West makes this clea…

SOURCE: stageandcinema.com at 07:59PM

Off-Broadway Review: GARSIDE’S CAREER (Mint Theatre Company at Theatre Row) by Gregory Fletcher

MADELINE SEIDMAN IS REMARKABLE IN GARSIDE’S CAREER Since 1995, the invaluable Mint Theatre Company has been unearthing lost, neglected plays from yesteryear. With artistic director Jonatha…

SOURCE: stageandcinema.com at 11:17AM
Saturday, January 18, 2025

Off-Broadway Review: MINDPLAY (Greenwich House Theater) by Gregory Fletcher

MIND FOR GOLD Vinny DePonto, the Brooklyn-based mentalist, is undeniably a master showman—and a strikingly handsome one at that (I’ll draw a comparison to Jake Gyllenhaal). Like all magi…

SOURCE: stageandcinema.com at 12:46PM
Monday, December 30, 2024

Broadway Review: EUREKA DAY (Manhattan Theatre Club at the Samuel J. Friedman Theatre) by Gregory Fletcher

WAKING US UP TO WOKENESS Playwright Jonathan Spector makes an impressive Broadway debut with Eureka Day, a strikingly relevant and well-crafted production that convincingly captures the comp…

SOURCE: stageandcinema.com at 10:27PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre