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135 stories by "Gregory Fletcher"

Off-Broadway Review: THE PASS (La MaMa E.T.C.) by Gregory Fletcher

NO PASSING THE TRUTH John Donnelly’s drama examines the devastating cost of repression, secrecy, and the life that might have been The American premiere of John Donnelly‘s The Pass (orig…

SOURCE: Stage and Cinema at 12:31am on August 5, 2026

Off-Off-Broadway Review: WHAT A WORLD! WHAT A WORLD! (The Tank / New York City) by Gregory Fletcher

NOT WAITING FOR GODOT… WAITING FOR THE DINOSAUR This delightfully confounding absurdist comedy won’t convert skeptics, but devotees of the genre may find much to admire Halfway through W…

SOURCE: Stage and Cinema at 5:20pm on July 12, 2026

Off-Broadway Review: GIULIA: THE POISON QUEEN OF PALERMO (PAC NYC) by Gregory Fletcher

A TOAST TO TOXIC JUSTICE A visually ravishing musical transforms vengeance into exhilarating theater Thanks to director Mary Zimmerman, scenic designer Daniel Ostling, and lighting designer …

SOURCE: Stage and Cinema at 8:59pm on July 10, 2026

Off-Broadway Review: A WALK ON THE MOON (Laura Pels Theatre / New York) by Gregory Fletcher

REACHING FOR MORE An engaging journey, once it finds its rhythm. Based on the 1999 film of the same name, the new musical A Walk on the Moon makes its New York premiere at the Laura Pels The…

SOURCE: Stage and Cinema at 2:00am on June 30, 2026

Off-Broadway Review: CAMPING (Colt Coeur / HERE Arts Center) by Gregory Fletcher

INTENTS LOVE Victoria Lynne Barclay’s impressive debut traces a friendship—and a missed connection—across twenty-five years The world premiere of Camping by Victoria Lynne Barclay offe…

SOURCE: Stage and Cinema at 4:00am on June 20, 2026

Off-Broadway Review: FEAR & WONDER (Flux Theatre Ensemble / A.R.T./NY Theaters) by Gregory Fletcher

FAITH, HOPE, AND QUEERITY: AMEN TO THAT Flux Theatre Ensemble finds grace where religion and identity collide One of the great joys of theatergoing in New York City is discovering the countl…

SOURCE: Stage and Cinema at 2:59am on June 14, 2026

Theater Review: THE PIANO LESSON (Pennsylvania Shakespeare Festival / Center Valley, PA) by Gregory Fletcher

KEYS TO THE PAST Directed by James Ijames, August Wilson’s masterpiece resonates powerfully in an exceptional PSF production As the fourth installment in August Wilson‘s immense American…

SOURCE: Stage and Cinema at 7:00pm on June 7, 2026

Off-Broadway Review: GIRL, INTERRUPTED (The Public Theater) by Gregory Fletcher

LESSONS INTERRUPTED A haunting memory play finds its strongest voice in music, memory, and an exceptional ensemble There is a painting at the Frick—a Vermeer—of a girl at her music lesso…

SOURCE: Stage and Cinema at 12:38am on June 5, 2026

Off-Broadway Review: JEROME (Playwrights Horizons) by Gregory Fletcher

GHOSTS OF LOVE John J. Caswell, Jr.’s moving drama finds unexpected grace amid fear, desire, and survival As Pride Month begins, there may be no better theatrical companion than John J. Ca…

SOURCE: Stage and Cinema at 6:00am on June 2, 2026

Theater Review: THE EMPORIUM (Classic Stage Company / Off-Broadway) by Gregory Fletcher

SHOPPING FOR MEANING Thornton Wilder’s long-lost play arrives decades late, still reaching for something just beyond its grasp Seventy-five years is a long time to wait for a world premier…

SOURCE: Stage and Cinema at 2:59am on May 31, 2026

Off-Broadway Review: THE MAIDS (St. Ann’s Warehouse / Brooklyn) by Gregory Fletcher

MIRROR, MIRROR, ON THE WALL Kip Williams delivers a visually stunning assault on the senses, even when the drama struggles to keep pace A co-production with London’s Donmar Warehouse, The …

SOURCE: Stage and Cinema at 2:51am on May 28, 2026

Off-Broadway Review: HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY (6th Floor Theater at The Culture Club) by Gregory Fletcher

PUCK BUNNIES AND POWER PLAYS Knowing exactly who it’s playing to, this gleefully ridiculous send-up shoots and scores There are fandoms, and then there are fandoms. The kind that inspires …

SOURCE: Stage and Cinema at 8:59pm on May 26, 2026

Broadway Review: THE BALUSTERS (Manhattan Theatre Club at the Samuel J. Friedman Theatre) by Gregory Fletcher

STOP SIGNS AND SOCIAL SIGNALS Sharp, humane, and richly acted, this new comedy lands with both wit and weight In The Balusters, playwright David Lindsay-Abaire once again proves himself a ma…

SOURCE: Stage and Cinema at 4:42am on April 26, 2026

Off-Broadway Review: THE ADDING MACHINE (The New Group at St. Clement's Theatre) by Gregory Fletcher

MAN VS. MACHINE, STILL LOSING Rice's century-old warning lands with unsettling familiarity In its inaugural production at the newly claimed St. Clement's Theatre, The New Group launches its …

SOURCE: Stage and Cinema at 6:55pm on April 14, 2026

Theater Review: NO SINGING IN THE NAVY (Playwrights Horizons, NYC) by Gregory Fletcher

SAILORS, SILLINESS, AND A SHADOW ON THE HORIZON Quirky musical comedy drifts between charm and fatigue before finding a quietly haunting final note When it comes to musical theater, writer M…

SOURCE: Stage and Cinema at 2:50am on April 2, 2026

Off-Broadway Review: SEAGULL: TRUE STORY (The Public Theater) by Gregory Fletcher

CHEKHOV IN EXILE"AND IN REVOLT A vivid, self-reflexive journey where art, politics, and survival collide Developed by En Garde Arts prior to its premiere at La MaMa ETC in May 2025, Seagull:…

SOURCE: Stage and Cinema at 8:59am on March 31, 2026

Off-Broadway Review: HEARTBREAK HOTEL (DR2) by Gregory Fletcher

LOVE, LOSS, AND LOOPING PATTERNS A quirky, performance-art breakup tale that charms before it overstays its welcome Created by New Zealand's EBKM, Karin McCracken investigates the pangs of r…

SOURCE: Stage and Cinema at 4:48pm on March 29, 2026

Off-Broadway Review: PUBLIC CHARGE (The Public) by Gregory Fletcher

FROM SANTO DOMINGO TO STATE DEPARTMENT An ambitious portrait of Julissa Reynoso's rise spans continents, though its cool staging keeps emotion at a distance At The Public Theater, the world …

SOURCE: Stage and Cinema at 9:59pm on March 25, 2026

Theater Review: MONTE CRISTO (The York Theatre) by Gregory Fletcher

A HANDSOME, AMBITIOUS REVENGE MUSICAL TAKES SHAPE Strong design and performances elevate Dumas' tale, even as tonal shifts occasionally blur its focus The York Theatre's ambitious world prem…

SOURCE: Stage and Cinema at 2:51am on March 20, 2026

Off-Broadway Review: THE PAPARAZZI (AMT Theater) by Gregory Fletcher

EXTRA! EXTRA! SING ALL ABOUT IT A musical about paparazzi culture delivers energy and tunes but could stand to sharpen its storytelling Brogan Nelson, Jack Rasmussen The new musical The Papa…

SOURCE: Stage and Cinema at 4:00am on March 14, 2026

Off-Broadway Review: BUGHOUSE (Vineyard Theatre) by Gregory Fletcher

I suppose when Martha Clarke proposes an idea for a theater production at this point in her illustrious career, the powers that be must grant her every blessing: no gatekeepers, no interfere…

SOURCE: Stage and Cinema at 2:59am on March 12, 2026

Off-Broadway Review: ANTIGONE (THIS PLAY I READ IN HIGH SCHOOL) (The Public Theater) by Gregory Fletcher

ANCIENT MYTH, MODERN BODY POLITIC A classical tragedy is boldly reframed through a contemporary moral crisis, giving Antigone's defiance startling new urgency Celia Keenan-Bolger, Haley Wong…

SOURCE: Stage and Cinema at 10:00pm on March 11, 2026

Off-Broadway Review: SPARE PARTS (Theater Row) by Gregory Fletcher

SPARE PARTS, FULLY LOADED QUESTIONS Glass's brainy biotech thriller delivers ideas, surprises, and genuine theatrical punch Jonny-James Kajoba, Rob McClure, Matt Walker and Michael Genet I s…

SOURCE: Stage and Cinema at 11:00pm on March 9, 2026

Off-Broadway Review: OUR HOUSE (TOSOS at A.R.T./New York Theatres) by Gregory Fletcher

ACTIVISM, FAMILY, AND A BACKYARD BATTLE The new play at TOSOS revisits the legacy of ACT UP and the uneasy quiet that followed CJ DiOrio & Nancy Slusser TOSOS, New York City's oldest pro…

SOURCE: Stage and Cinema at 7:36pm on March 7, 2026

Theater Review: AN ARK (The Shed) by Gregory Fletcher

THEATRE THROUGH GOGGLES A 47-minute VR encounter turns a gallery into the closest "front row" imaginable. How would you like to attend a play starring Ian McKellen"and be seated front row ce…

SOURCE: Stage and Cinema at 7:00pm on January 21, 2026
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