All stories by Susannah Clapp on BroadwayStars

Sunday, November 13, 2022

The week in theatre: Not One of These People; Not Now; Super High Resolution – review by Susannah Clapp

Royal Court; Finborough; Soho theatre, LondonQuestions of who can speak for whom animate both Martin Crimp’s new AI work and David Ireland’s brilliant Belfast dialogue. And a star is bor…

SOURCE: The Guardian at 05:54AM
Sunday, November 6, 2022

The week in theatre: Something in the Air; A Dead Body in Taos – reviews by Susannah Clapp

Jermyn Street theatre, London; Wilton’s Music Hall, LondonPeter Gill’s subtle new play finds the power of love in the smallest of details, while David Farr explores strained family bonds…

SOURCE: The Guardian at 06:06AM
Sunday, October 30, 2022

The week in theatre: Tammy Faye; Hamlet; Marvellous – review by Susannah Clapp

Almeida, London; Bristol Old Vic; Soho Place, LondonKatie Brayben nails the title role as Tammy Faye in a musical otherwise lacking edge, Billy Howle makes a princely Hamlet and an all-new …

SOURCE: The Guardian at 09:03AM
Sunday, October 23, 2022

The week in theatre: My Neighbour Totoro; Local Hero – review by Susannah Clapp

Barbican, London; Minerva, ChichesterA beloved Studio Ghibli anime is brought to magical life in Phelim McDermott’s new RSC production, while the 1983 film Local Hero finds fresh resonance…

SOURCE: The Guardian at 06:03AM
Sunday, October 16, 2022

The week in theatre: Good; The Band’s Visit; The Boy With Two Hearts – review by Susannah Clapp

Harold Pinter; Donmar Warehouse; Dorfman, LondonAs a mild-mannered German academic who drifts into becoming an SS officer, David Tennant is transfixing; a vibrant oddball musical bridges the…

SOURCE: The Guardian at 06:55AM
Sunday, October 9, 2022

The week in theatre: Blues for an Alabama Sky; The Crucible; Dido’s Bar – review by Susannah Clapp

Lyttelton; Olivier; Royal Docks, LondonThirties Harlem is vibrantly alive at the National, while mob rule meets Little House on the Prairie in an assured revival of The Crucible. Elsewhere, …

SOURCE: The Guardian at 07:43AM
Sunday, October 2, 2022

The week in theatre: John Gabriel Borkman; Eureka Day – review by Susannah Clapp

Bridge; Old Vic, LondonSimon Russell Beale is doubly commanding as Ibsen’s charismatic banker in a problem-raising revival, while a new anti-vax satire needs more than a shot of Helen Hunt…

SOURCE: The Guardian at 10:19AM
Sunday, September 11, 2022

The week in theatre: I, Joan; The Glass Menagerie; Silence – review by Susannah Clapp

Shakespeare’s Globe, London; Royal Exchange, Manchester; Donmar Warehouse, LondonIsobel Thom’s non-binary Joan of Arc blazes on to the stage in Charlie Josephine’s eye-opening new play…

SOURCE: The Guardian at 06:43AM
Sunday, September 4, 2022

The week in theatre: The Narcissist; Into the Woods – review by Susannah Clapp

Minerva, Chichester; Theatre Royal BathChristopher Shinn’s new play of post-Trump politics finds complex characters lost in ego and addiction, while Terry Gilliam and Leah Hausman’s take…

SOURCE: The Guardian at 09:03AM
Sunday, August 28, 2022

The week in theatre: A Little Life; Medea; Muster Station: Leith; Detention Dialogues by Susannah Clapp

Festival theatre; the Hub; Leith Academy; Studio, Potterrow, EdinburghThe hurt is all too real in Ivo van Hove’s visceral staging of Hanya Yanagihara’s bestseller; Liz Lochhead’s Scots…

SOURCE: The Guardian at 08:37AM
Sunday, August 21, 2022

The Trials review – a teenage jury call their climate-ruining elders to account by Susannah Clapp

Donmar Warehouse, LondonThe ‘dinosaur’ generation is put on trial in Dawn King’s near-future new play, graced by some nicely nuanced performances from its youthful cast The Trials is f…

SOURCE: The Guardian at 06:12AM
Sunday, August 14, 2022

The week in theatre: All of Us; Jarman – review by Susannah Clapp

Dorfman; King’s Head, LondonDisablism, austerity and therapy-speak fuel Francesca Martinez’s jolting drama, while Mark Farrelly channels Derek Jarman in a rush of memories There are star…

SOURCE: The Guardian at 07:03AM
Sunday, July 24, 2022

The week in theatre: Much Ado About Nothing; Jack Absolute Flies Again; Crazy for You by Susannah Clapp

Lyttelton; Olivier, London; Chichester festival theatreShakespeare’s comedy is the gift that keeps on giving; Mrs Malaprop’s a loose cannon in Richard Bean’s Battle of Britain take on …

SOURCE: The Guardian at 06:37AM
Sunday, July 17, 2022

The week in theatre: Patriots; The Tempest; King Lear by Susannah Clapp

Almeida, London; Ustinov Studio, Theatre Royal, Bath; Shakespeare’s Globe, LondonTom Hollander excels in Peter Morgan’s incisive oligarch drama; Deborah Warner directs a fine Tempest; an…

SOURCE: The Guardian at 05:42AM
Sunday, July 10, 2022

The week in theatre: The Seagull; The Southbury Child; Richard III by Susannah Clapp

Harold Pinter; Bridge, London; RSC, Stratford-upon-AvonThe action’s all in the detail in Jamie Lloyd’s spellbound Chekhov; Alex Jennings excels as a vicar refusing to find the common tou…

SOURCE: The Guardian at 07:42AM
Sunday, July 3, 2022

The week in theatre: Rock/ Paper/ Scissors; The Fellowship by Susannah Clapp

Crucible/Lyceum/Studio theatre, Sheffield; Hampstead theatre, LondonTiming is everything in Chris Bush’s theatre-hopping trio of Sheffield plays; the same goes for Roy Williams’s ill-sta…

SOURCE: The Guardian at 06:18AM
Sunday, June 26, 2022

The week in theatre: A Doll’s House, Part 2; Jitney – review by Susannah Clapp

Donmar; Old Vic, LondonLucas Hnath’s sequel to the Ibsen classic is intriguing rather than revelatory; but August Wilson’s taxi-stand drama has developed new flavour with age Ibsen’s A…

SOURCE: The Guardian at 07:07AM
Sunday, June 19, 2022

The week in theatre: That Is Not Who I Am; The False Servant by Susannah Clapp

Royal Court, London; Orange Tree, RichmondA revelatory drama about identity theft is let down by its thriller plot, while translator Martin Crimp adds wit to an outsized Marivaux comedy The …

SOURCE: The Guardian at 08:06AM
Sunday, June 5, 2022

The week in theatre: The Glass Menagerie; Girl on an Altar; We Started to Sing by Susannah Clapp

Duke of York’s; Kiln; Arcola, LondonAmy Adams’s star power fails to illuminate underpowered Tennessee Williams; Eileen Walsh burns bright as Clytemnestra; and Barbara Flynn and Robin Soa…

SOURCE: The Guardian at 06:03AM
Sunday, May 29, 2022

The week in theatre: The Father and the Assassin; Celebrated Virgins; Legally Blonde by Susannah Clapp

Olivier, London; Theatre Clwyd, Mold; Regent’s Park Open Air theatre, LondonGandhi’s murderer turns on the charm in an extraordinary production; the ladies of Llangollen come to vibrant …

SOURCE: The Guardian at 09:54AM
Sunday, May 22, 2022

The week in theatre: The House of Shades; My Fair Lady; The Breach by Susannah Clapp

Almeida; Coliseum; Hampstead, LondonAnne-Marie Duff’s aspiring singer transfixes in a didactic family saga; My Fair Lady feels strangely vacant. Plus, a stifling tale of dysfunctional sibl…

SOURCE: The Guardian at 05:54AM
Sunday, May 15, 2022

The week in theatre: Oklahoma!; Unchain Me; House of Ife by Susannah Clapp

Young Vic, London; Brighton festival; Bush, LondonRodgers and Hammerstein’s first musical is roughed up; dreamthinkspeak amble around Brighton; and a first for Amharic on the British stage…

SOURCE: The Guardian at 07:24AM
Sunday, May 8, 2022

The week in theatre: Middle; Prima Facie; Much Ado About Nothing by Susannah Clapp

Dorfman; Harold Pinter; Shakespeare’s Globe, LondonA couple struggle to connect – or touch – in David Eldridge’s latest; Jodie Comer owns the courtroom; and Lucy Bailey directs a spa…

SOURCE: The Guardian at 06:07AM
Sunday, May 1, 2022

The week in theatre: Jerusalem; The Corn Is Green; Marys Seacole by Susannah Clapp

Apollo; Lyttelton; Donmar Warehouse, LondonSpellbinding Mark Rylance returns as the anarchic Johnny ‘Rooster’ Byron; Nicola Walker hits the mark in Dominic Cooke’s brilliant Emlyn Will…

SOURCE: The Guardian at 12:03PM
Sunday, April 24, 2022

The week in theatre: Punchdrunk: The Burnt City; Scandaltown by Susannah Clapp

One Cartridge Place; Lyric Hammersmith, LondonThe immersive theatre trailblazers return with an all-consuming vision of the siege of Troy, while Mike Bartlett’s neo-Restoration farce can�…

SOURCE: The Guardian at 06:36AM
Sunday, April 17, 2022

The week in theatre: The Great Middlemarch Mystery; The 47th; For Black Boys Who Have Considered Suicide… by Susannah Clapp

Various venues, Coventry; Old Vic; Royal Court, LondonA site-specific quest gets to the heart of George Eliot’s novel; Mike Bartlett makes a Shakespearean tragedy of Trump; and six young b…

SOURCE: The Guardian at 06:18AM
Sunday, April 10, 2022

The week in theatre: Daddy; Black Love; The Fever Syndrome by Susannah Clapp

Almeida; Kiln; Hampstead, LondonJeremy O Harris’s trance-like study of power play sizzles; Chinonyerem Odimba tells a complex sibling story; and Robert Lindsay stars in a predictable famil…

SOURCE: The Guardian at 06:42AM
Sunday, April 3, 2022

The week in theatre: To Kill a Mockingbird; The Mozart Question; Clybourne Park – review by Susannah Clapp

Gielgud, London; Barn, Cirencester; Park, LondonRafe Spall is a fine Atticus in Aaron Sorkin’s somewhat awkward spin on Harper Lee; Jessica Daniels steers a sublime adaptation of Michael M…

SOURCE: The Guardian at 07:33AM
Sunday, March 27, 2022

The week in theatre: Straight Line Crazy; The Human Voice – review by Susannah Clapp

Bridge; Harold Pinter theatre, LondonRalph Fiennes is firing on all cylinders in David Hare’s new play about a New York highway builder; and Ruth Wilson is beguiling in an unsubtle staging…

SOURCE: The Guardian at 06:06AM
Sunday, March 6, 2022

The week in theatre: Henry V; Our Generation – review by Susannah Clapp

Donmar Warehouse; Dorfman, LondonKit Harington’s a natural as Shakespeare’s military monarch, while Alecky Blythe’s long-awaited new verbatim play captures five years of teenage intros…

SOURCE: The Guardian at 06:12AM
Sunday, February 27, 2022

The week in theatre: The Collaboration; Good Fun by Susannah Clapp

Young Vic; King’s Head, LondonWarhol and Basquiat prove fertile inspiration for writer Anthony McCarten, while a rare airing of an early play by Victoria Wood reveals more than a glimpse o…

SOURCE: The Guardian at 02:13AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards