All stories by Sanjoy Roy on BroadwayStars

Friday, December 20, 2024

Matthew Bourne’s Swan Lake review – a mythic modern classic flies again by Sanjoy Roy

Sadler’s Wells, London Back for a 30th anniversary tour, the star choreographer’s signature wit and tenderness shine in this perennially haunting fantasy ‘Mat…

SOURCE: The Guardian at 09:32AM
Tuesday, November 19, 2024

By Their Fruits review – couples therapy meets multidimensional movement by Sanjoy Roy

Theatre503, LondonThe heightened body language of a tempestuous couple breaks out into choreographed scenes in this play that reaches far beyond its restricted space It doesn’t look like m…

SOURCE: The Guardian at 07:42AM
Sunday, November 17, 2024

Michael Keegan-Dolan’s house of dance: ‘I was so caught up with where I’m from – not any more’ by Sanjoy Roy

After root-and-branch reworkings of Giselle and Swan Lake, the celebrated Irish choreographer is back with Nobodaddy, a trip ‘through the bottomless pit’ ‘I keep making pieces that I t…

SOURCE: The Guardian at 04:24PM
Thursday, November 14, 2024

Blood Show review – splattering violence becomes gross-out comedy by Sanjoy Roy

Battersea Arts Centre, LondonOcean Chillingworth’s show depicts a brutal fight that turns into something altogether messier This much we know from the title: there will be blood. We’re g…

SOURCE: The Guardian at 10:12AM
Friday, November 8, 2024

Northern Ballet, A Christmas Carol review – a magical night in snow-globe Victoriana by Sanjoy Roy

Lyceum theatre, SheffieldBeautifully staged and danced with bonneted and bewhiskered brio, Dickens’s classic dose of festive escapism is the gift that keeps on giving Directed by Christoph…

SOURCE: The Guardian at 07:18AM
Wednesday, October 23, 2024

Encounters: Royal Ballet review – classic hip-hop, Spider-Man antics and whip-smart satire by Sanjoy Roy

Royal Opera House, LondonFrom the flowing beauty of Kyle Abraham to the choppy poker-faced humour of Pam Tanowitz, these four contemporary ballets are excellently danced In the brochure for …

SOURCE: The Guardian at 08:12AM
Sunday, September 1, 2024

Wing Chun review – kung fu master gets the cinematic treatment in a spectacular show by Sanjoy Roy

Sadler’s Wells, LondonYip Man, who taught Bruce Lee, is the inspiration for this series of awesomely executed showdowns and acrobatics History may be about the past but it speaks to the pr…

SOURCE: The Guardian at 10:54AM
Friday, July 12, 2024

Fuerza Bruta: Aven review – big on spectacle, hollow of heart by Sanjoy Roy

Roundhouse, LondonThe acrobatic blockbuster is a night out loaded with set pieces and special effects but feels designed for digital bursts on social media Fuerza Bruta’s Aven is not just …

SOURCE: The Guardian at 09:48AM
Tuesday, June 25, 2024

Kim Brandstrup: Echo and Narcissus review – small miracles of mirroring by Sanjoy Roy

Ustinov Studio, Bath This exquisitely formed dancework inspired by Greek myth explores desire and dysfunction The tiny Ustinov Studio at Bath’s Theatre Royal has, under the direction of De…

SOURCE: The Guardian at 07:32AM
Sunday, May 26, 2024

Marc Brew and Sidi Larbi Cherkaoui: An Accident/A Life review – brutal and tender by Sanjoy Roy

Norwich Theatre RoyalBrew revisits the car crash at the beginning of his ballet career that killed his three companions and left him paraplegic Not quite dance, not quite theatre, An Acciden…

SOURCE: The Guardian at 07:02AM
Tuesday, May 7, 2024

‘The body is everything’: Sung Im Her’s insatiable desire for dance by Sanjoy Roy

Each time she takes the stage, the Korean choreographer and dancer asks if it will be the last time. She reflects on crushing stereotypes, breaking into theatre and her 100 failed auditions …

SOURCE: The Guardian at 02:48AM
Thursday, May 2, 2024

Boy Blue: Cycles review – dazzling hip-hop dance alchemy by Sanjoy Roy

Barbican, LondonIn ragged rocksteps and snaredrum springs, choreographer Kenrick Sandy and composer Michael Asante catch the connections between sound and movement Founded in 2001, Boy Blue …

SOURCE: The Guardian at 07:24AM
Thursday, April 11, 2024

Elixir festival review – the dance of life through older eyes by Sanjoy Roy

Sadler’s Wells, LondonWorks from veteran dancers Germaine Acogny, Malou Airaudo, Louise Lecavalier and Ben Duke challenge perceptions of age, with performances full of spirit and maturity …

SOURCE: The Guardian at 02:02PM
Tuesday, March 12, 2024

The monster mash: Frankenstein is reanimated for dance, stitched together with Greek myths by Sanjoy Roy

A decade after his award-winning Dracula, Mark Bruce has pared down Mary Shelley’s gothic classic and taken a cue from its subtitle ‘The Modern Prometheus’ ‘The idea of a creature ma…

SOURCE: The Guardian at 06:18AM
Thursday, January 11, 2024

John Ashford obituary by Sanjoy Roy

My former colleague John Ashford, who has died aged 79, was a key figure in contemporary dance in the UK and beyond, both as director of the Place theatre in London (1986-2009) and founder-d…

SOURCE: The Guardian at 07:02AM
Monday, November 13, 2023

Ian Spink obituary by Sanjoy Roy

Choreographer, creative director and co-founder of Second Stride, a company that transformed contemporary dance in the 1980sThe choreographer and creative director Ian Spink, who has died of…

SOURCE: The Guardian at 09:48AM
Thursday, November 9, 2023

BalletBoyz: England on Fire review – riotous tour through a nation’s soul by Sanjoy Roy

Sadler’s Wells, LondonThis ‘psychic landscape of Albion’ deploys a huge ensemble to send its dancers spinning through a patchwork of national mythology You have to hand it to BalletBoy…

SOURCE: The Guardian at 09:48AM
Monday, September 11, 2023

Korean dance star Eun-Me Ahn: ‘We have this image of long hair, good girl, charming wife – wake up!’ by Sanjoy Roy

As she brings her new show, Dragons, to the UK, the innovative choreographer discusses shaking off traditional norms and how shaving her head helped her find her own energy Ochre wall, plum …

SOURCE: The Guardian at 03:25PM
Sunday, May 7, 2023

Shamel Pitts: Black Hole review – fragile glimpses of an Afrofuturist world by Sanjoy Roy

Curve, Leicester The US dancer conjures a potent spectacle filled with mysterious symbolism as three figures strain, combine and detach in stirring, almost ritual patterns There’s a strang…

SOURCE: The Guardian at 07:36AM
Wednesday, April 19, 2023

Goner review – horror show with shades of Squid Game and Blair Witch by Sanjoy Roy

The Yard theatre, LondonMarikiscrycrycry opens this year’s Now festival with an occasionally baffling trip through sex, fear and fantasies Established in 2014, the Yard theatre’s Now fes…

SOURCE: The Guardian at 08:06AM
Sunday, February 5, 2023

Secret Things/Everyone Keeps Me review – Pam Tanowitz’s steps cast a spell by Sanjoy Roy

Linbury theatre, London The American choreographer showcases three works with the Royal Ballet, the newest of which examines the idealism and corporeality of womanhood The Royal Ballet now h…

SOURCE: The Guardian at 12:02PM
Friday, December 16, 2022

The best dance of 2022 by Lyndsey Winship and Sanjoy Roy

Exhilarating highlights this year ranged from tech-savvy ballet and a juggling celebration of Merce Cunningham to a daring flamenco Rite of Spring • More of the best culture of 2022 When S…

SOURCE: The Guardian at 08:18AM
Sunday, November 27, 2022

Israel Galván: La Consagración de la Primavera review – Stravinsky with a flamenco stamp by Sanjoy Roy

Sadler’s Wells, LondonThe maverick choreographer makes his mark on The Rite of Spring in this elementally austere exercise in anxiety and loose-cannon footwork In 1913, The Rite of Spring …

SOURCE: The Guardian at 08:54AM
Thursday, November 17, 2022

Candoco: In Side Out review – an intimate night of new work by Sanjoy Roy

Lilian Baylis theatre, LondonFresh pieces by the company of disabled and non-disabled dancers open up its artistic direction Although the pandemic scuppered some plans for Candoco – such a…

SOURCE: The Guardian at 07:36AM
Wednesday, November 2, 2022

Tanz review – gross-out body-horror ballet is an unlikely laugh by Sanjoy Roy

Battersea Arts Centre, LondonFlorentina Holzinger’s show has inspired audience walkouts but others stay and cheer at its bloody-minded audacity Premiered in Vienna in 2019, Florentina Holz…

SOURCE: The Guardian at 09:48AM
Tuesday, September 6, 2022

Nureyev: Legend and Legacy review – firecracker spins and star turns by Sanjoy Roy

Theatre Royal Drury Lane, LondonRalph Fiennes introduced this gala honouring the ballet legend, which boasted a dazzling lineup of dancers including Natalia Osipova and Cesar Corrales Introd…

SOURCE: The Guardian at 07:37AM
Monday, June 20, 2022

New English Ballet Theatre review – highs and lows in a full and varied programme by Sanjoy Roy

Linbury theatre, LondonA hardworking young company showcase a range of dance styles to music including classical, rock and contemporary The Royal Ballet’s Next Generation festival is a pla…

SOURCE: The Guardian at 07:07AM
Friday, June 17, 2022

Elixir Extracts review – silver sirens steal the show by Sanjoy Roy

Sadler’s Wells, LondonThis mini festival celebrating the older dancer features powerful performers – and is defiantly not pretty Founded in 2014, Sadler’s Wells’ Elixir festival is a…

SOURCE: The Guardian at 07:03AM
Sunday, June 12, 2022

Matthew Bourne’s The Car Man review – steamy dance thriller with a supercharged engine by Sanjoy Roy

Royal Albert Hall, LondonBourne’s 1950s potboiler has been beefed up for a larger venue. The result is classy, trashy – and deeply serious Matthew Bourne’s The Car Man is a steamy, pul…

SOURCE: The Guardian at 11:42AM
Sunday, May 29, 2022

L-E-V: Chapter 3 review – easy-on-the-eye dance doesn’t leap out by Sanjoy Roy

Sadler’s Wells, LondonUsing music from Americana to Afrobeats, the final part of this Israeli company’s trilogy on love is beautifully danced but doesn’t go anywhere This final part of…

SOURCE: The Guardian at 01:12PM
Sunday, April 10, 2022

Frontera | Border – a Living Monument review – polymorphous dance enlivens cold Leeds car park by Sanjoy Roy

Victoria multistorey car park, Leeds Amanda Piña’s dance inspired from the Mexican border town of Matamoros filled the perfunctory setting with pulsating beats and tinsel-clad movement Am…

SOURCE: The Guardian at 06:42AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime