All stories by Elisabeth Vincentelli on BroadwayStars

Thursday, October 26, 2023

Good Times and Bum Times Made These Theater Veterans Even Stronger by Elisabeth Vincentelli

Graciela Daniele and Priscilla Lopez are working together on Michael John LaChiusa’s memory musical, “The Gardens of Anuncia,” inspired by Daniele’s early life.

SOURCE: The New York Times Subscription at 12:55PM
Wednesday, October 18, 2023

The Passion of Adèle Haenel, an Artist of Fierce Political Conviction by Elisabeth Vincentelli

Haenel, working with the choreographer-director Gisèle Vienne in “L’Étang,” is trying to “pierce through the surface of things.”

SOURCE: The New York Times Subscription at 04:07PM
Saturday, October 14, 2023

Tituss Burgess Thinks ‘Golden Girls’ Reruns Get Funnier as You Age by Elisabeth Vincentelli

Returning to Broadway for “Moulin Rouge! The Musical,” the actor shares his love for dishing during a haircut and comes out as a pluviophile.

SOURCE: The New York Times Subscription at 05:07AM
Wednesday, October 11, 2023

‘Stereophonic’ Finds Drama in a ’70s Rock Recording Booth by Elisabeth Vincentelli

The playwright David Adjmi explores the in-studio creation process in a play with new songs by the former Arcade Fire member Will Butler.

SOURCE: The New York Times Subscription at 05:13AM
Thursday, October 5, 2023

Solo Shows in Theater This Fall: Patrick Page, Isabelle Adjani and More by Elisabeth Vincentelli

For theatergoers who love uncrowded stages, the coming months bring a range of works, from musical comedies to Shakespearean dramas.

SOURCE: The New York Times Subscription at 02:25PM

‘Dicks: The Musical’ Review: Hitting High Notes, Going Lowbrow by Elisabeth Vincentelli

Larry Charles’s musical comedy is so hellbent on being outrageous that it just ends up being tiresome.

SOURCE: The New York Times Subscription at 07:07AM
Friday, September 29, 2023

In ‘Big Trip,’ an Exiled Russian Director Asks: What Makes Us Human? by Elisabeth Vincentelli

Dmitry Krymov’s two shows at La MaMa thrillingly stress the porosity of the line between life and storytelling.

SOURCE: The New York Times Subscription at 05:03PM
Sunday, September 24, 2023

‘Dracula, a Comedy of Terrors’ Review: An Equal-Opportunity Seducer by Elisabeth Vincentelli

A gender-bending play at New World Stages filters well-known characters through influences like “The Rocky Horror Show” and “Young Frankenstein.”

SOURCE: The New York Times Subscription at 06:19PM
Thursday, September 14, 2023

Review: Rachel Bloom Shines in ‘Death, Let Me Do My Show’ by Elisabeth Vincentelli

The writer-performer wanted to avoid the pandemic, but couldn’t. Her new solo show dives into birth, death and cosmic confusion.

SOURCE: The New York Times Subscription at 08:55PM
Monday, August 14, 2023

‘A Eulogy for Roman’ Review: Farewell to a Friend, With Help From the Audience by Elisabeth Vincentelli

Check your cynicism at the door: Brendan George is earnest and endearing as he mourns Roman in this one-man show.

SOURCE: The New York Times Subscription at 07:43PM
Monday, July 31, 2023

Liz Kingsman’s ‘One Woman Show’ Lands in N.Y.C. by Elisabeth Vincentelli

The comedian talks about her slightly goofy, slightly surreal style, and why New York has proved to be “the hardest translation” yet.

SOURCE: The New York Times Subscription at 11:13AM
Friday, July 28, 2023

Review: This ‘Summer Stock’ Cast Is Having a Blast by Elisabeth Vincentelli

The Goodspeed Opera House takes on Charles Walters’s 1950 film with zest and humor.

SOURCE: The New York Times Subscription at 02:43PM
Tuesday, July 18, 2023

Review: A Lack of Passion Keeps Tennessee Williams’s ‘Orpheus Descending’ Earthbound by Elisabeth Vincentelli

Erica Schmidt’s revival of this Tennessee Williams play for Theater for a New Audience downplays the melodrama.

SOURCE: The New York Times Subscription at 10:04PM
Wednesday, July 5, 2023

Sarah Benson, Soho Rep’s Former Director, Wants Theater to Push You by Elisabeth Vincentelli

At the helm of Soho Rep, Benson presided over a long streak of ambitious, thought-provoking works. As she heads out the door, she reflects on her vision for theater’s future and plans for …

SOURCE: The New York Times Subscription at 03:25PM
Tuesday, June 27, 2023

‘Taylor Mac’s 24-Decade History of Popular Music’ Review: Wish You Were There by Elisabeth Vincentelli

Only 650 people got to experience one of the 21st century’s artistic feats, until this documentary. Unfortunately, it misses some of the performance’s key aspects.

SOURCE: The New York Times Subscription at 07:19AM
Monday, June 26, 2023

Review: In ‘The Gospel According to Heather,’ the Messiah Has Homeroom by Elisabeth Vincentelli

A lonely high school student discovers she may be a divine messenger in Paul Gordon’s half-baked new Off Broadway musical.

SOURCE: The New York Times Subscription at 02:33PM
Thursday, June 22, 2023

‘Once Upon a One More Time’ Review: Liberation Set to Britney Spears by Elisabeth Vincentelli

The Britney Spears jukebox musical, about fairy tale princesses fighting for their emancipation, comes up short as a narrative of feminist awakening.

SOURCE: The New York Times Subscription at 09:19PM
Wednesday, June 21, 2023

‘Rock & Roll Man’ Review: An Alan Freed Biography by Elisabeth Vincentelli

A bio-show about the radio D.J. Alan Freed, one of rock music’s early popularizers, dutifully plays the hits.

SOURCE: The New York Times Subscription at 10:19PM
Friday, June 16, 2023

A Stage Musical About Belfast’s Punk Oasis by Elisabeth Vincentelli

‘Good Vibrations’ at the Irish Arts Center takes a snapshot of life in Northern Ireland during the Troubles through its music scene.

SOURCE: The New York Times Subscription at 03:37PM
Wednesday, June 14, 2023

‘Come for Me’ Review: Catherine Cohen’s T.M.I. Comedy Set by Elisabeth Vincentelli

In her autobiographical new show with songs, Catherine Cohen delivers a heightened version of millennial oversharing and confidence run amok.

SOURCE: The New York Times Subscription at 02:55PM
Monday, June 12, 2023

Best and Worst Moments of the 76th Tony Awards by Jesse Green, Maya Phillips, Elisabeth Vincentelli, Laura Collins-Hughes, Alexis Soloski and Sarah Bahr

With a clever opening number and repeated support for striking writers, the Tonys celebrated Broadway’s shows, performers and creative teams.

SOURCE: The New York Times Subscription at 05:07AM
Friday, June 9, 2023

‘Deep Blue Sound’ Review: Searching for Orcas and Longing for Community by Elisabeth Vincentelli

In Abe Koogler’s latest play, melancholy islanders try to band together to investigate where their beloved orcas have gone.

SOURCE: The New York Times Subscription at 02:37PM
Tuesday, May 30, 2023

For Lorna Courtney of ‘& Juliet,’ New York Has Always Been Her Stage by Elisabeth Vincentelli

From LaGuardia High School to Broadway, this Tony Award-nominated star has traveled many miles on her journey to theater stardom.

SOURCE: The New York Times Subscription at 05:32AM
Wednesday, May 17, 2023

In Broadway’s ‘Grey House,’ Something Nightmarish This Way Comes by Elisabeth Vincentelli

Levi Holloway on his psychological thriller starring Laurie Metcalf: “It wears the jacket of horror. But I think it’s more heart than horror.”

SOURCE: The New York Times Subscription at 05:18AM
Friday, May 12, 2023

‘The Beautiful Lady’ Review: A Cabaret for the New Order by Elisabeth Vincentelli

Artists and dreamers sing of revolution in a musical set on the cusp of the birth of the Soviet Union.

SOURCE: The New York Times Subscription at 03:48PM
Wednesday, May 10, 2023

For Broadway Dance, High Kicks and Low Comedy in a Season of Change by Jesse Green, Elisabeth Vincentelli and Brian Seibert

Is theatrical choreography at a turning point? Or just leaping, lurching and shimmying as usual? Our critics weigh in.

SOURCE: The New York Times Subscription at 05:01AM
Wednesday, April 26, 2023

‘New York, New York’ Review: The Big Apple, Without Bite by Elisabeth Vincentelli

Based loosely on the 1977 film, a show about performers making it in the big city comes to St. James Theater with the sharper edges of its source material sanded off.

SOURCE: The New York Times Subscription at 10:18PM
Friday, April 14, 2023

‘The Phantom of the Opera’: Thinking of a Spectacle Fondly by Joshua Barone, Alexis Soloski and Elisabeth Vincentelli

As the longest-running musical in Broadway history closes, Times critics with a lasting affection for the show take stock of its legacy.

SOURCE: The New York Times Subscription at 02:24PM
Tuesday, April 11, 2023

‘Covid Vortex Anxiety Opera’ Review: Gloom, Zoom and a New Bloom by Elisabeth Vincentelli

The veteran performance artist Karen Finley leads the audience through the troubles that plagued New York City at the peak of the pandemic.

SOURCE: The New York Times Subscription at 12:32PM
Tuesday, March 28, 2023

‘According to the Chorus’ Review: Backstage Truths by Elisabeth Vincentelli

In Arlene Hutton’s play at 59E59 Theaters, the members of a Broadway cast reveal their hopes and fears tucked away in a quick-change room.

SOURCE: The New York Times Subscription at 08:18PM
Monday, March 27, 2023

Review: In ‘Día y Noche,’ Opposites Intertwine by Elisabeth Vincentelli

David Anzuelo’s generous, unwieldy play about an oil-and-water friendship between two high school boys opens at 59E59 Theaters.

SOURCE: The New York Times Subscription at 02:42PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre