Tuesday, October 20, 2020
Michael Breslin and Patrick Foley’s virtual play includes a YouTuber, an influencer and a meme machine. Sometimes total chaos ensues.
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Stars including Marisa Tomei, Billy Porter and Rosie O’Donnell dramatize the words of real-life nurses pushed to the brink by the pandemic.
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Plus: A marquee cast tackles a Kenneth Lonergan play, and Glenn Close, Beanie Feldstein, Audra McDonald and Melissa Errico go digital.
SOURCE: The New York Times Subscription at 02:24PMTuesday, October 6, 2020
Who gets to stay? The digital adaptation of a 2018 satire asks the playgoing audience to weigh in from home.
SOURCE: The New York Times Subscription at 02:32PMThursday, September 24, 2020
The interstellar adventure deftly mixes the lo-fi aesthetics of budget science fiction with dopey humor and experimental theater’s sensibility.
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In a fall season without many live shows, everything is up for grabs. That includes the canon of classics — and where Bill Irwin might be performing.
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Before lockdown, she won praise for three fierce Off Broadway performances. Next: starring in an online reading of a rarely seen Pulitzer Prize finalist.
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Six months dark. Thousands of artists out of work. Could this disaster have a surprise ending? Five critics on what must change, onstage and off.
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The Billie Holiday Theater offers a live performance of “12 Angry Men…and Women: The Weight of the Wait” in front of a Black Lives Matter mural.
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Festivals from Sydney and Edinburgh move online, and Richard Nelson mixes in another of his theatrical franchises to conclude a Zoom trilogy.
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Among the performances you can catch online are a one-woman show about sexual assault and riffs on “Heart of Darkness” and “Rocky.”
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Two critics square off to determine how well this body slam of a comedy, about stereotypes and storytelling, made it to the very small screen.
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This month, watch Ming Peiffer’s play about the women’s suffrage movement and a virtual reading that reunites Ed Harris and Bill Pullman.
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What happens when the edgy Ice Factory festival goes online? A sense of discovery tempered by frustrating technological glitches.
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Sunday, July 26, 2020
This staging by the National Theater of Greece was broadcast live on Saturday from the amphitheater of Epidaurus.
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Most of them are available on short notice, after all. Live readings with some of the New Group’s original casts and an Ian Dury jukebox musical are among this week’s highlights.
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The Oregon Shakespeare Festival’s streaming series begins with a “historical fable” about Catholic orphans and their new families in 1904 Arizona.
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Even in lockdown, it’s still hard to cut a streaming deal for a professional show. Here’s what viewers can expect, for now.
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“She Kills Monsters” is hugely popular in high schools and colleges. Even in lockdown, performers have found novel ways to make the battles come alive.
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The online bounty also includes a rare Lorraine Hansberry play, two Lincoln Center stagings and black British responses to the killing of George Floyd.
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His new memoir “Lot Six” traces the Syrian-Jewish enclave that spawned him, the instructor who unnerved him, and the biting comedy that made his name.
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Miranda’s rap. Rylance’s poems. Jackman’s pelvis. And a brassy reunion for Bea Arthur and Angela Lansbury. Now set your clock for “Turkey Lurkey Time.”
SOURCE: The New York Times Subscription at 02:18PMWednesday, June 3, 2020
If BAM is your jam (or places like it), here are digital offerings that offer weird Americana and bold visions from Europe. Plus: a 24-hour variety show.
SOURCE: The New York Times Subscription at 03:06PMThursday, May 28, 2020
With actors on payroll, Seacoast Rep has removed seats, added tech equipment and is selling tickets for a musical livestreamed every weekend.
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Versions of the “Carousel” song by Aretha Franklin, Gerry and the Pacemakers and Liverpool F.C. fans have turned it into something universal.
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Dolly Parton, Meryl Streep and Jon Bon Jovi in a star-studded benefit concert; a play written specially for Zoom; Shakespeare on YouTube; and more.
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Watch as the virtual curtains rise, from “Acquanetta” to the Wooster Group, with stops at Shakespeare and “Fun Home.”
SOURCE: The New York Times Subscription at 11:54AMTuesday, April 28, 2020
Remote learning may not be ideal, but Zoom encourages acting students to be more nuanced, more private and more intimate.
SOURCE: The New York Times Subscription at 11:54AMThursday, April 23, 2020
Friday, April 10, 2020
A roundup of streaming theater that covers classics and new shows, endearingly D.I.Y. webcasts and slick Broadway extravaganzas.
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