Wednesday, October 19, 2022
He might be the greatest Shakespearean actor you’ve never heard of. At last, New Yorkers will get to see his no-holds-barred portrayal of Hamlet in Thomas Ostermeier’s production at BAM.
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In Douglas McGrath’s one-man show, his account of an experience as a teenager unfurls with the can’t-look-away quality of a slow-motion crash.
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After the twists and turns of a pop career, the British singer-songwriter adds a new string to her bow: musical composer.
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They both first made a splash in the ’90s. They’re now in New York to present new theatrical memoirs that mix storytelling and songs.
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“300 el x 50 el x 30 el,” the Belgian troupe FC Bergman’s ambitious theatrical installation, will open BAM’s Next Wave festival with an elaborate set that recreates a rural settlemen…
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This musical may lack the 1989 movie’s nihilism, but the gags still work and the songs are great — who are we to quibble?
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We spoke to three actors and a playwright — Gregg Mozgala, Bonnie Milligan, Solea Pfeiffer and Noah Diaz — who are taking big shots this season.
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Michael John LaChiusa’s delicate new musical starts in Depression-era California and follows two people across six decades.
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The Cyndi Lauper and Harvey Fierstein musical, in which the drag queen Lola saves a provincial shoe factory, makes an Off Broadway return at the spacious Stage 42.
SOURCE: The New York Times Subscription at 10:33PMAfter reporting on the Creede Repertory Theater last summer, our writer returned for her vacation and took stock as the company restarted indoor performances.
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In her new autobiographical solo play, the actress Jade Anouka recounts the joys and fears of falling for a woman after her marriage to a man ends.
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The splashy show, an example par excellence of what makes modern French musicals distinctive, begins a run at Lincoln Center.
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Robert Quillen Camp’s play, about an antiracist discussion group, starts out naturalistically, but then pivots, with bloody abandon, to the absurd.
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A gleefully juvenile show about the Belgian star, from the writer Timothy Haskell, barrels through his life and oeuvre using toy action figures.
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The camp reimagining of the maritime blockbuster revs up into increasing absurdity and Celine Dion songs.
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Angela Hanks’s new comedy is set in Santa Fe, N.M., where five women of color have traveled for some fancy R&R laced with New Age spirituality.
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Friday, June 17, 2022
Honoring Pride, Juneteenth and the Fourth of July, the festival features Idina Menzel and Tonya Pinkins alongside poets, fire artists and marching bands.
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Championing collaboration and digital projects, Mia Yoo is forging her own path at the experimental theater incubator.
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The protagonist of this new play by Michael McKeever steps gingerly out of grief’s stasis and into the unknown.
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With its production of “The Orchard,” juxtaposing the human and the virtual, the Arlekin Players continue taking creative leaps.
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The playwright Trish Harnetiaux’s new show, set entirely in a car, follows a family of travelers. It bravely, if not entirely satisfyingly, explores alternate realities.
SOURCE: The New York Times Subscription at 09:18PMTuesday, May 17, 2022
Tuesday, May 10, 2022
In her new comedy, Ana Nogueira spins zippy fun out of a fairly conventional story about a friendship strained by resentment.
SOURCE: The New York Times Subscription at 08:33PMThursday, April 28, 2022
Taylor, 79, first performed her solo play “Ann,” about the former governor of Texas, in 2010. Now, she’s saying goodbye to the white suit.
SOURCE: The New York Times Subscription at 03:42PMWednesday, April 20, 2022
Jaquel Spivey graduated from college last May. Now he’s making his Broadway debut as the star of Michael R. Jackson’s Pulitzer Prize-winning musical, “A Strange Loop.”
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Known for portraying the luckless Theon Greyjoy on “Game of Thrones,” the British actor shares the items that are helping him prep for his Broadway debut.
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Barry Manilow and Bruce Sussman’s musical chronicles the story of the Comedian Harmonists, a sextet of Jews and gentiles in Weimar-era Germany.
SOURCE: The New York Times Subscription at 09:36PMMonday, April 11, 2022
A stage version of Antoine de Saint-Exupéry’s classic of children’s literature lands on Broadway but remains stubbornly earthbound.
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Laiona Michelle’s tribute show, now at New World Stages, is more an impressionistic portrait for those familiar with the singer’s life and career.
SOURCE: The New York Times Subscription at 03:36PMThursday, March 17, 2022
Billy Porter brings a heavy-handed touch as the director and adapter of this 1997 musical about prostitutes and pimps in Manhattan’s bad old days.
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