With its production of “The Orchard,” juxtaposing the human and the virtual, the Arlekin Players continue taking creative leaps.
SOURCE: The New York Times Subscription at 05:33AMThe playwright Trish Harnetiaux’s new show, set entirely in a car, follows a family of travelers. It bravely, if not entirely satisfyingly, explores alternate realities.
SOURCE: The New York Times Subscription at 09:18PMAnchuli Felicia King’s play about an internet firewall belongs to multiple genres all at once.
SOURCE: The New York Times Subscription at 09:18PMIn her new comedy, Ana Nogueira spins zippy fun out of a fairly conventional story about a friendship strained by resentment.
SOURCE: The New York Times Subscription at 08:33PMTaylor, 79, first performed her solo play “Ann,” about the former governor of Texas, in 2010. Now, she’s saying goodbye to the white suit.
SOURCE: The New York Times Subscription at 03:42PMJaquel Spivey graduated from college last May. Now he’s making his Broadway debut as the star of Michael R. Jackson’s Pulitzer Prize-winning musical, “A Strange Loop.”
SOURCE: The New York Times Subscription at 10:33AMKnown for portraying the luckless Theon Greyjoy on “Game of Thrones,” the British actor shares the items that are helping him prep for his Broadway debut.
SOURCE: The New York Times Subscription at 02:54PMBarry Manilow and Bruce Sussman’s musical chronicles the story of the Comedian Harmonists, a sextet of Jews and gentiles in Weimar-era Germany.
SOURCE: The New York Times Subscription at 09:36PMA stage version of Antoine de Saint-Exupéry’s classic of children’s literature lands on Broadway but remains stubbornly earthbound.
SOURCE: The New York Times Subscription at 09:06PMLaiona Michelle’s tribute show, now at New World Stages, is more an impressionistic portrait for those familiar with the singer’s life and career.
SOURCE: The New York Times Subscription at 03:36PMBilly Porter brings a heavy-handed touch as the director and adapter of this 1997 musical about prostitutes and pimps in Manhattan’s bad old days.
SOURCE: The New York Times Subscription at 04:24PMJoshua Harmon’s ambitious new play toggles between a contemporary Jewish family facing growing antisemitism and their relatives during World War II.
SOURCE: The New York Times Subscription at 09:24PMTwo years into the pandemic, this festival, which has gone virtual for now, abjures traditional theatricality and performance.
SOURCE: The New York Times Subscription at 02:48PMRicky Ian Gordon’s “Intimate Apparel” and “The Garden of the Finzi-Continis” are premiering in New York almost simultaneously.
SOURCE: The New York Times Subscription at 05:06AMThe actor reflects on continuing the Off Broadway revival’s hot streak, and fighting against the stereotypes facing Asian American actors.
SOURCE: The New York Times Subscription at 10:33AMThe Jim Henson TV special was a hit in 1978. Now its furry creatures return in a new theatrical production in Manhattan, just in time for the holiday season.
SOURCE: The New York Times Subscription at 02:06PMDigital innovation continued this year, but experiencing plays in isolation grew tiring. Then came an in-person season as exciting as a child’s first fireworks.
SOURCE: The New York Times Subscription at 10:48AMThe country singer and musical-theater fan was grateful to play the intense title role in “Waitress” not long after her Broadway-themed album came out.
SOURCE: The New York Times Subscription at 03:06PMLines of Stephen Sondheim fans formed outside Marie’s Crisis Cafe in Greenwich Village as news of his death spread. Inside, it was all-Sondheim on the piano.
SOURCE: The New York Times Subscription at 11:48AMRed Bull Theater brings on the cons and their marks in this adaptation of the 17th-century Ben Jonson work.
SOURCE: The New York Times Subscription at 06:06PMIn this workplace comedy, beleaguered colleagues struggle to come together for an active-shooter training exercise.
SOURCE: The New York Times Subscription at 09:54PMThis maddening, brain-scrambling show, which just opened at the esteemed Soho Rep, is nothing if not slippery, our critic writes.
SOURCE: The New York Times Subscription at 09:03PMThe Wooster Group’s production will prompt discussions about the company’s vision for Brecht’s “learning play.”
SOURCE: The New York Times Subscription at 08:12PMLinda Bloodworth-Thomason’s popular TV series comes to the stage with its sisterhood intact. But at times this revival feels a lot like a pretext to vent.
SOURCE: The New York Times Subscription at 03:42PMShe has portrayed three characters over the course of the 12 plays in Richard Nelson’s “Rhinebeck Panorama.” A decade later, it’s time to move on.
SOURCE: The New York Times Subscription at 11:42AMThe characters he plays are “a departure from how people perceive” them. He’s testing perceptions again as one of the famous banking brothers in “The Lehman Trilogy.”
SOURCE: The New York Times Subscription at 03:42PMMichael Kinnan’s sendup of “Titanic” explores the liminal space between tribute and affectionate satire.
SOURCE: The New York Times Subscription at 03:18PMIn this new musical, a singer’s future hangs on one song, but entrusting it to an inexperienced songwriting team is not, perhaps, the shrewdest choice.
SOURCE: The New York Times Subscription at 08:42PMThe streaming part of the ceremony actually did a better job conveying the electricity of being in a theater than the CBS special billed as “Broadway’s Back!”
SOURCE: The New York Times Subscription at 02:18PMThe punchline is “Only an Octave Apart,” featuring the unlikely collaborators Justin Vivian Bond and Anthony Roth Costanzo at St. Ann’s Warehouse.
SOURCE: The New York Times Subscription at 11:42AMThe filmed version of this Broadway musical lands on Apple TV+ to deliver hope and kindness.
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