Buildings long deemed passé and unsuccessful can suddenly seem fresh and intriguing to a new generation, just as yesterday's tacky decorative designs can become tomorrow's next cool thing. This has been evident in the steady postmillennial flow of monographs on mid-twentieth-century architects who have undergone a downward critical reversal akin to that of Yamasaki"especially Saarinen, […]
SOURCE: The New York Review of Books at 12:24PM on April 23, 2018