Nanna Ingvarsson is so phenomenal in these three harrowing short plays by Samuel Beckett that one can easily imagine the Nobel Prize-winning minimalist"notoriously persnickety about his stage directions"rising from the grave (center stage, a six-by-two rectangular hole, in nearly no light) and exclaiming (in a hoarse whisper): “Yes, yes, that’s precisely what I meant.” And […] The post Review:…
SOURCE: DC Metro Theater Arts at 12:57PM on March 21, 2018