There’s a maudlin intensity to Eugene O’Neill’s New England classic. Did anyone ever better layer sorrow, fear, jealousy and resentment, smashing family members together like accelerated atoms? This is as rounded a brood and detailed a psychological portrait as one could hope for on stage. O’Neill’s admiration for Shakespeare, who was no slouch when it came to characters rich in ambiguit…
SOURCE: London Theatre Direct at 12:26PM on March 2, 2018