The musician Mica Levi has observed that in the world of film music, there are two schools of thought. "Some people see it as about doing something new and different, something very 'felt,'Â " she told me when I met her at her manager's office in North London earlier this month. "And some people are very respectful of the craftsmanship of writing an articulate score that uses the variety of the orchestra and moves …
SOURCE: The New Yorker at 04:32PM on February 23, 2017