By Matt DiCintio. For nearly two decades, I've evaluated scripts submitted to festivals and contests, grantmakers and literary offices. I've read for major regional theatres with the goal of identifying playwrights with whom they may forge relationships; I've read for hyper-local producers with very specific thematic and demographic aims. As many of HowlRound's readers are aware, every organization has different a pr…
SOURCE: HowlRound at 09:00AM on February 11, 2018