The production is not helped by William Carden's heavy-handed direction. Scene transitions are punctuated by sound designer and composer Shane Rettig's blaring, pulsing and overwhelming original electronic music. In near darkness, stage hands wearing black appear to rearrange furniture and set props. This all becomes formulaic and distracting. Carden's physical staging is rudimentary and the actions flow weak…
SOURCE: www.theaterscene.net at 11:00PM on February 8, 2018