Early on in “Something Rotten!,” the irreverent musical farce that imagines the birth of the Broadway musical as it might have happened during the Elizabethan era, a character suffering from Shakespeare envy loudly rants against The Bard’s use of iambic pentameter, the “rhythmic feet” that set the beat for his poetry. Of course the best […]
SOURCE: chicago.suntimes.com at 04:26PM on July 20, 2017