Subtitled `a play with music and movement', Elliott Rennie's deep noted cello is the thrilling underscore to Cordelia O'Neill's mesmerising but enigmatic Holocaust-fringed two hander. As if to underline the beauty and the horror, Rennie's cello weaves in and out of O'Neill's narrative like a snake writhing in its death pangs.
SOURCE: mytheatremates.com at 01:00PM on May 10, 2017