When Simon Stone “overwrote” Lorca’s Yerma at the Young Vic last year, I was impressed — partly because he did so on a set that toyed with the apparent naturalism of the show (a perspex box, largely empty except for one brief fantasy of exclusively furnished bourgeois life, an aquarium in which the mic’ed-up cast [...]
SOURCE: www.dispositio.net at 01:49PM on May 7, 2017