Kurt Egyiawan's Moor takes arms against a sea of production troubles, but in vainThere's no reason why ruffs and candles shouldn't mesh with bursts of contemporary speech, song and lighting, given a defter hand than director Ellen McDougall's. Shakespeare's timeless issues of racism and sexism have endless mileage in them, though in less skewed proportions than they find here. Many of this production's component…
SOURCE: The Arts Desk at 04:54AM on March 3, 2017