Michael Kahn's direction of David Ives' The Liar opens in New York
In The Liar, the title character wonders whether, given his disposition, he should become a politician. But, if David Ives' version of Pierre Corneille's 1644 verse play may benefit from new relevance (what I call the Trump Effect), its main strength lies not in its timeliness or plot but the subversive whimsy of its language. […] The post Michael Kahn’s direction of David Ives’ The Liar opens in Ne…