Alexander Zeldin's world premiere of Love is by no means a stereotypical interpretation of the emotion. Natasha Jenkins presents a semi-immersive set, a run-down, stark social housing unit that bleeds out into the audience space " the front rows directly sit in the way of the production itself. Characters enter and leave their respective rooms... Read more → The post Review: LOVE, National Theatre appeared fi…
SOURCE: A Younger Theatre at 06:54PM on December 21, 2016