Remember the days when homosexuality was used as a plot twist, and coming out was the entire axis upon which entire shows revolved? Those days are, for the most, happily over and we are now seeing productions in which gay characters are simply, well, characters. Jordan Seavey's incisive Homos, Or Everyone in America for instance, looks at the intersection where human beings must be confronted with labels which they d…
SOURCE: stagebuddy.com at 05:17PM on November 17, 2016