From the Staten Island Ferry, to Picasso's dining room, the work of Erin Mee defies the notions many people have of where theatre should take place. But the proscenium isn't the only thing she removes from her work, she also does without the timidity that often prevents playwrights and directors from dealing with social class in an open way. Whether by the admission price, the setting, or the ideas behind each work, …
SOURCE: stagebuddy.com at 02:28PM on September 19, 2016