What better setting for black-box theater than a figurative black box " a stalled elevator " with two discordant strangers trapped inside? Luigi Laraia's Too Close is definitely too close for comfort. One can't resist the situational analogy: life's random encounters, not-so-random ups and downs (we program our own fates by pushing each other's buttons?). "And […] The post 2016 Capital Fringe Review: ‘…
SOURCE: DC Metro Theater Arts at 12:48PM on July 11, 2016