In the work of Todd Solondz, nonconformity isn't a choice. The outcasts who populate his films want nothing more than to be normal, desirable human beings. But they are shunned in both personal and public life, mocked at home and on the street. The young bespectacled Dawn Wiener of Solondz's feature debut, "Welcome to the Dollhouse" (1995), taunted at school for her awkwardness and unfortunate last name, pines for Br…
SOURCE: www.blouinartinfo.com at 02:30PM on June 24, 2016