At once energetic and breathtakingly self obsessed, Jesse Eisenberg’s protagonist, Ben never initially exudes malicious intent, however by the end of Act One, you are left wondering how on earth we are expected to empathise with such a huge knob-head. Eisenberg’s debut West-End play, The Spoils certainly takes us and its emotional centre on a... Read more → The post Review: The Spoils, Trafalgar S…
SOURCE: A Younger Theatre at 02:36AM on June 8, 2016