Maillot decided, however, to set his version in a distorted fantasy realm, with no identifiable time period or place, distancing the story's emotional impact. It is difficult to identify with the group of highly stylized, caricatured characters he presents and the tortured, though imaginative, path he takes them on. The post Les Ballets de Monte Carlo's Cinderella appeared first on TheaterScene.net.
SOURCE: www.theaterscene.net at 01:45AM on February 25, 2016