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The police stopped 'To be or not to be' and asked to see our permits by Matthew Romain

Za'atari set a precedent. Our performance in the Syrian refugee camp in Jordan became a template for how to perform Hamlet in every nation in the world " in a world that rendered travel to Syria, Yemen, Libya and Central African Republic out of the question. And it paved the way for our most ad hoc and unconventional performance yet.read more

SOURCE: The Arts Desk at 5:10am on January 30, 2016

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