By Emily Hardy My pick of 2015 is neither a stroke of theatrical genius like the Almeida’s Oresteia nor a brilliant and original work of art like 1927’s Golum. It is in fact a populist musical, despised by many, dating back to the 1970s. NB: If squeaky-voiced, optimistic red-headed orphans conjure distressing memories of amateur productions past, look […] This post CRITICS CHOICE: Emily Hardy’…
SOURCE: britishtheatre.com at 05:15AM on December 30, 2015