Two things are frequently said about Caryl Churchill: that she is the greatest playwright alive, and that she is one of the most elusive. While she occasionally discusses her work with researchers and fellow theatre-makers, she has not granted an interview to a major newspaper since the nineteen-nineties; her communications with the press are generally restricted to letters to the editor on political causes. Many of …
SOURCE: The New Yorker at 10:43AM on November 18, 2015