This post is by Joel Benjamin The choreography, mostly by Emily Smyth Vartanian, tends toward the musically unsophisticated, combining ballet (piqué turns, little jumps, attitude and arabesque poses), jazz (sassy turned in knees and jazz hands) and Latin American influences (hip waggles and shimmying shoulders) all punctuated with giant smiles and an appealing air of merriment. The dancers are steady and personable…
SOURCE: www.theaterscene.net at 12:10AM on October 20, 2015