Rembrandt’s “Self-Portrait,” (dated 1659), wearing a coat with upturned collar and crowned with a beret, looms out like an old friend on the Ford Theatre’s proscenium stage. It’s a reproduction of the original displayed in the permanent collection of Washington’s National Gallery of Art. In The Guard, playwright Jessica Dickey vividly deals with questions about […] The post T…
SOURCE: DC Theatre Scene at 09:55AM on October 5, 2015