Having seen one of Caryl Churchill's other plays (Top Girls), I was prepared for the jolt of anachronism, intentional gender bending casting, and other theatrical devices. Ms. Caryl does it well. Her choices serve to facilitate and highlight her messages. In the case of Cloud Nine, she casts a white man as a black slave, a man as a Victorian wife, an adult as a child, and young boy as a woman (and vice ve…
SOURCE: Act Three - The Reviews at 03:33PM on October 3, 2015