Ayad Akhtar's "Disgraced," a play full of instant (and mostly equal opportunity) ethnic provocation, is custom-made for our time, as the lingering traumatic stress disorders of post-September 11, 2001, and the countervailing somersaults of political correctness, vie for (and frequently share) the spotlight. The post ‘Disgraced’ hits all the hot buttons but falls short on the emotional front appeared first…
SOURCE: Chicago Sun-Times at 04:10PM on September 22, 2015