She is, without question, a piece of work - the kind of woman who should wear a "Danger" sign around her neck. And in moving her from Victorian era Sweden (where she was born in August Strindberg's classic, "Miss Julie"), to post-World War II England (where she has now been reborn by way of British playwright Patrick Marber's wickedly good "After Miss Julie," now at Strawdog Theatre), she achieves a whole new existen…
SOURCE: Chicago Sun-Times at 04:05PM on August 25, 2015