“It’s been horrible to watch our otherwise splendid union’s desperate attempt to boost membership by pretending there was enough money to be made in 50-seat fringe venues to convert [unpaid] productions into paying jobs. And so many of us swallowed it, seduced by the absurd idea that closing down voluntary fringe collaborations in tiny makeshift […]
SOURCE: ArtsJournal at 02:48AM on July 24, 2015