Ah, but the recurring use of the famous "Liebestod" - the ever-resolving but never quite resolved "Love-Death" music of the opera's final scene - clues us in that, for all the shenanigans, Kneehigh's "Tristan & Yseult" is just as deeply felt and has the same purpose at heart - contemplating the mysteries of love. The approach is ingenious, framing the tale at the Club of the Unloved, a sort of underground karaoke di…
SOURCE: Houston Chronicle at 11:53AM on May 1, 2015