No, she is not. But in the year "1400, either more or less exactly," per playwright Christopher Fry's prefiguratively imprecise formulation, written in the aftermath of the, for many, apocalyptic Second World War, women like the beauteous Jennet Jourdemayne, who found themselves "accuse[d] of such a brainstorm of absurdities/That my fear dissolves in the humor […] The post ‘The Lady’s Not For Burnin…
SOURCE: DC Metro Theater Arts at 11:22PM on April 21, 2015